Dial 'K' for 'Ditko'

Rorschach

HBO's WATCHMEN series (which should really be called AFTER WATCHMEN) gives us a White Supremacist Group calling itself The Seventh Kavalry. That's a reference to Custer's doomed Cavalry. The change from 'C' to 'K' in 'Cavalry' is a reference to the Ku Klux Klan.

The Seventh Kavalry wears masks based on deceased original WATCHMEN hero Rorschach.

WATCHMEN creators Alan Moore and Dave Gibbons based Rorschach on a character created by Steve Ditko (himself creator of Spider-man, Dr. Strange, and many others). That character was The Question.

Rorschach's real name was Walter Joseph Kovacs. That 'K' was a nod to Ditko's love of K's.

A fairly astonishing number of Ditko creations had either a 'K' or the K sound created by a hard 'C' in their names. 

These characters include but are not limited to the following characters: Vic Sage (The Question, whom Rorschach parodies), Ted Kord (Silver Age Blue Beetle, whom Nite Owl parodies), Peter ParKer, Rac Shade, Mocker, Doctor Strange, Doctor Octopus, Mac Gargan (Scorpion), Electro, Doctor Spectro, Jack Ryder (Creeper), Chameleon, Clea, Clown, Curt Connors (Lizard), Hank Hall (Hawk), Tinkerer, Karcilius... OK, you get the idea. You'll note that the 'K' sound even lurks in The Question and Rorschach.

So the Seventh Kavalry is also a nod to the Ditko 'K.'

Hey, there's a 'K' in Ditko!

Imagine that!

Wonder Woman, Wonder Woman

Cat breath!

Wonder Woman: Rebirth Volume 1: The Lies (2016/ Collected 2017): written by Greg Rucka; illustrated by Liam Sharp, Matthew Clark, and Sean Parsons: DC's Rebirth event resulted in an odd sort of reboot for its characters last year, with various past elements of the characters being dropped from or added to continuity as part of a larger crossover event that's still in the preliminary stages, one that seems to involve Watchmen's Dr. Manhattan.

Rebirth also brought some writers back to characters, most notably Greg Rucka to Wonder Woman. And it's good to see him back. Or read him back. Whatever. In this first Rebirth collection, Wonder Woman wrestles with memories that may or may not be real while also trying to save old (as in 1940's old) enemy the Cheetah from being stuck as the Cheetah, a woman-cheetah tribal god. Perennial WW squeeze Steve Trevor appears, now a Seal Team leader. Man, Steve Trevor has had a lot of jobs.

Rucka keeps things moving while making the Cheetah interesting, which has always been a struggle, and sympathetic, which is almost unprecedented. The art, primarily by Liam Sharp, is, um, sharp. Recommended.

And she's bisexual!

Wonder Woman: Rebirth Volume 2: Year One (2016-2017/ Collected 2017): written by Greg Rucka; illustrated by Nicola Scott and Bilquis Evely: Wonder Woman gets another revised origin as DC's Rebirth event rolls along. By my count, this is #123. 

But it's good, interesting, accessible stuff from past-and-present WW scribe Greg Rucka, beautifully drawn by the always under-rated Nicola Scott. Along the way, we get yet another revised version of WW's home, Themyscira, and her parentage. 

Rucka does some interesting things with the Greek Gods, along with Wonder Woman's long-time nemesis Ares/Mars. We also discover that Wonder Woman is 6'3" and was once nearly killed by an evil tree. Fascinating! Recommended.

Alan Moore's The Completist

Alan Moore's Magic Words: adapted by Art Brooks, Fred Torres, Ailantd, Sergio Bleda, and Juan Jose Ryp (2002): Interesting collection of adaptations of short Alan Moore prose pieces and poems by a variety of European comics artists. Really for Moore completists more than anyone, but I enjoyed it. Recommended.

Alan Moore's Another Suburban Romance: adapted by Antony Johnston and Juan Jose Ryp (2003): Comics adaptations of three Alan Moore performance pieces, ably translated into comics form by writer Antony Johnston and artist Juan Jose Ryp. I have absolutely no idea how these were staged because they seem unstageable except as spoken-word pieces. Recommended.

Alan Moore's Light of Thy Countenance: adapted by Antony Johnston and Felipe Massafera (2009): Excellent comics adaptation of an Alan Moore short story actually works much better as a comic than as a short story. That may be because so much of the piece is visually oriented, dealing as it does with the history of television. But as this is a work of fiction, television itself is posited as a living god. Fascinating juxtapositions and wordplay abound. Highly recommended.

Alan Moore's Writing for Comics (1985/2003) by Alan Moore; illustrated by Jacen Burrows: Famous Alan Moore prose series on writing for, well, comics, got reprinted for the first time in 17 years with added illustrations and a new afterword/rebuttal by Moore. Even for non-writers, it's a fascinating glimpse into Alan Moore's process circa 1985, as well as a brief look into what he thinks of that process nearly 20 years later. Highly recommended.

Mystical Question, Rorschach's Dad

The Question: Devil's in the Details: written by Rick Veitch; illustrated by Tommy Lee Edwards with Don Cameron (2004-2005): Since the late 1980's, the Question has been much less famous than the character modeled on him, Watchmen's Rorschach. It's sort of a shame, especially since the Question seems perfectly suited to a live-action TV show in a way that a lot of superheroes aren't.

Why? Because other than the blank, flesh-coloured mask that hides his identity, the Question's wardrobe is about as basic as it gets -- suit, trench-coat, gloves, fedora. Created by writer-artist Steve Ditko (Spider-man, Doctor Strange) for Charlton Comics in the 1960's and subsequently purchased by DC Comics in the 1980's along with the rest of the Charlton superhero line, The Question has mostly survived on the fringes of the superhero universe. 

A grim and gritty DC version by writer Denny O'Neil and artist Denys Cowan ran for several years in the late 1980's, but other than that the Question has been a creature of miniseries and guest appearances in the comics. His most-seen version, by far, was as a conspiracy-obsessed hero voiced deliciously by Jeffrey Coombs on the Justice League Unlimited cartoon of the early oughts.

Ditko's original version allowed the writer-artist to espouse some of his libertarian beliefs in the guise of a super-hero book. Shock-jock radio host Vic Sage rails against various things on his show; then, with the donning of the mask and a quick spritz of chemicals that change the colour of his clothing and hair, Sage becomes the Question so as to put his beliefs in action.

This version, by Rick Veitch and artist Tommy Lee Edwards, is a much-different bird. The Question now has a mystical, shamanistic connection to cities. Indeed, cities can talk to him. And Chicago warns him that something bad is up in Metropolis -- something aimed at Superman. So the Question goes to Metropolis.

Various shenanigans ensue. Tommy Lee Edwards does some interesting, somewhat avant-garde (for superhero comics) things with the art, using 3-D models and playing with dual-narrative streams and hallucinogenic visions. Veitch offers a number of clever bits and bursts of stream-of-consciousness internal narration, though turning the Question into a vision-guided urban mystic takes a bit of getting used to. The whole plot revolves around a Metropolis-sized plan by Lex Luthor involving the application of Feng Shui to urban planning. How weird is that?

The whole thing is an enjoyable enterprise, and certainly better than an awful lot of superhero comics that get collected into trade paperbacks. This one seems to have never been collected, which is a shame: Veitch is always interesting, even when he's not working at the height of his own powers, or drawing his own stuff. Recommended.

The Lost Alan Moore Episode

Fashion Beast: adapted by Antony Johnson from the screenplay by Alan Moore based on a screen story by Malcolm McLaren and Alan Moore; illustrated by Fecundo Percio (2012-2013): Alan Moore's lost project, a 1985 screenplay for a never-produced movie, based on a story by music and fashion impresario Malcolm McLaren, here gets adapted into a 200-page+ graphic novel. The redoubtable Antony Johnson handles the actual adaptation, as he has for other non-comic-book Moore work adapted into comic-book form.

Artist Fecundo Percio really draws up a storm here. The art remains relatively representational throughout with two exceptions -- the creepy, wizened monkey-women who are the guardians of the gates of Celestine, a fashion house in a future New York. America fights a war against somebody never named. Fallout is everywhere. The world is collapsing.

And that's only the background to this reimagining of the story of Beauty and the Beast, gene-spliced with elements from McLaren's own life and with Moore's taste for outre philosophy.

Beauty would appear to be Doll Seguin, a transvestite whom we first meet dressed like Marilyn Monroe and working as a coat-check 'girl' at the Cabaret, a stylish blend of dance hall and performance space. The Beast may be fashion-designer Celestine, never seen by anyone but the guardians of the gates, giving his approval or diapproval to auditioning models from behind smoked glass. Or it may be Jonni, a butch, aspiring fashion designer who longs to overthrow the concealing, antisexual fashions of House Celestine and put in their place the freer, more liberated fashions she herself has designed.

And that's just the set-up of the first two issues, after which things get really weird.

Johnson preserves the distinctive style and structure of mid-1980's Alan Moore -- this really is of a piece with Watchmen and 'V' for Vendetta, a sharp and cynical work of action-philosophy over which looms the spectre of nuclear armageddon. It's involving and fascinating on its own. But it also adds to the fictional over-structure of Alan Moore's 1980's work in a pleasing, off-beat way. And Percio's art, as with the art of David Lloyd on 'V' and Dave Gibbons on Watchmen, works beautifully with Moore's colourful, metaphorical, expositional prose by providing it with a solid, seemingly representational counterpoint. Highly recommended.

In Flight from Lost Time

A Small Killing: written by Alan Moore; illustrated by Oscar Zarate (1991): Oscar Zarate's art, lovely and grotesque and colourful, really adds layers to the this odd story of a successful designer of advertising campaigns and the demons that haunt him. Alan Moore works on a much smaller scale than he does in better-known works such as Watchmen or From Hell. This move away from the epic may explain why this sometimes seems to be Moore's least-discussed major work. No explosions, no heroes, no villains, and no real fantasy elements. Well, maybe.

An ex-patriate Englander in New York starts to see a mysterious little boy on the eve of his trip to Moscow to design an ad campaign for an American soda-pop's first foray into glasnost-era Russia. memories of past failures and betrayals begin to haunt him, always counterpointed with his own justifications and evasions -- we're shown the past and given the protagonist's often wildly off-base commentary upon it. And then, prior to travelling to Moscow, he returns to England to visit his parents.

The telling of the story is much more compliated than the above synopsis makes it, with flash-backs and flash-sideways, numinous 'normal' objects become mythic in memory, fragments of dialogue to sift through, panel composition and colouring to mull over. Zarate does some marvelous things as he moves back and forth from subjective to objective, from crowds to solitude, from the grotesque to the everyday. A fine piece of work that deserves more recognition. Maybe Moore should have stuck a superhero in it. Highly recommended.

Absolute Before Watchmen!

WATCHMEN creators Alan Moore (L) and Dave Gibbons c. 1986

I've returned from the farflung future of 2014, in which remaindered copies of the trade paperbacks of the various Before Watchmen series are currently being used to build flood levees in Louisiana. Without Before Watchmen, New Orleans would have been destroyed again. Thanks, DC!

But what a tremendous prequel to writer Alan Moore and artist Dave Gibbons's 1986-87 12-issue Watchmen limited series humanity got, despite the non-involvement of writer Alan Moore and artist Dave Gibbons. While Before Watchmen will neither be listed as one of Time magazine's 100 books of the century (as Watchmen was) nor become the best-selling graphic novel in history (as Watchmen was), it does offer many delightful surprises. Excelsior!

So here's a spoiler-heavy rundown of the awesome delights that await you at your local comic-book shop in the summer of 2012.

Minutemen (6 issues), written and illustrated by Darwyn Cooke: The Minutemen engage in a number of exciting and life-affirming adventures that make absolutely no sense given what we saw of them in Watchmen.* In one of them, a 50-year-old Comedian defeats Cassius Clay in a boxing match.** Hoo ha, that's attention to historical detail!

Rorschach (4 issues), written by Brian Azzarello, illustrated by Lee Bermejo: Rorschach shows how tough he is in various tough corners of New York over the years. Also, his 'The End is Nigh' sign finally gets a proper origin story. Guess what: it's the secret hero of Watchmen! As with most recent Azzarello-penned projects, all four issues combined will take less than 5 minutes to read.

The Comedian (6 issues), written by Brian Azzarello, illustrated by J.G. Jones: The Comedian demonstrates how tough he is in various tough locales over the years, as he turns out to be behind the assassinations of Robert Kennedy, Malcolm X, Martin Luther King Jr., and the Phillie Phanatic. As with most recent Azzarello-penned projects, all six issues combined will take less than 5 minutes to read.

Dr. Manhattan (4 issues), written by J. Michael Straczynski, illustrated by Adam Hughes: In order to reconnect with humanity, Dr. Manhattan starts walking across the United States***. However, he quits halfway through and gets someone else to finish the walk.****

Nite Owl (4 issues), written by J. Michael Straczynski, illustrated by Andy and Adam Kubert: Nite Owl discovers that his non-existent superpowers derive from The Owl Totem*****. Much brooding ensues. He loses an eye, but it grows back.****** At some point, he yells, "Not on my watch!"*******

Ozymandias (6 issues), written by Len Wein, illustrated by Jae Lee: 6 issues of hardcore, photorealistically rendered gay sex. The big surprise of the Before Watchmen event.

Silk Spectre (4 issues), written by Darwyn Cooke, illustrated by Amanda Conner: Silk Spectre's giant boobs******** take part in a variety of exciting adventures with life-affirming conclusions.

Curse of the Crimson Corsair (backup), written by Len Wein, illustrated by John Higgins: This is the story that's the comic-book equivalent of having a Beatles reunion with only Ringo Starr and George Martin involved, as original Watchmen editor Len Wein and original Watchmen colourist John Higgins give Watchmen fanatics the pirate story they've been waiting 25 years for, though what they were hoping for involved some combination of Alan Moore, Dave Gibbons, and the late Joe Orlando.

Before Watchmen: Epilogue (1 issue), various writers and artists: Surprise! The Epilogue to Before Watchmen is a lavishly recoloured Watchmen that slathers the art you loved in layers and layers of quasirealistic full-process colour! Written by Alan Moore, illustrated by Dave Gibbons, and coloured by the Computronic Colouring Robot 3000.

　

* Darwyn Cooke just did an interview in which he said Watchmen wasn't great because it wasn't hopeful and optimistic enough.

** As a decrepit Golden-Age hero Wildcat does in Cooke's Justice League: The New Frontier.

*** As Straczynski had Superman do in the recent Grounded storyline.

**** Straczynski quit the Grounded storyline less than halfway through, leaving writer Chris Roberson to try to clean up the mess.

***** As Straczynski had Spider-man discover the same about The Spider Totem.

****** Something Straczynski did to Spider-man during his run on the title.

******* A favourite saying of characters on Straczynski's Babylon 5.

******** Amanda Conner just got done a stint drawing DC's Power Girl, aka the DC superheroine with the world's largest breasts.

Before Watchmen!

I've returned from the farflung future of 2014, in which remaindered copies of the trade paperbacks of the various Before Watchmen series are currently being used to build flood levees in Louisiana. Without Before Watchmen, New Orleans would have been destroyed again. Thanks, DC!

But what a tremendous prequel to writer Alan Moore and artist Dave Gibbons's 1986-87 12-issue Watchmen limited series humanity got, despite the non-involvement of writer Alan Moore and artist Dave Gibbons. While Before Watchmen will neither be listed as one of Time magazine's 100 books of the century (as Watchmen was) nor become the best-selling American graphic novel in history (as Watchmen was), it does offer many delightful surprises. Excelsior!

So here's a spoiler-heavy rundown of the awesome delights that await you at your local comic-book shop in the summer of 2012.

Minutemen (6 issues), written and illustrated by Darwyn Cooke: The Minutemen engage in a number of exciting and life-affirming adventures that make absolutely no sense given what we saw of them in Watchmen. In one of them, a 50-year-old Comedian defeats Cassius Clay in a boxing match. Hoo ha, that's attention to historical detail! Their world is almost just like ours!

Rorschach (4 issues), written by Brian Azzarello, illustrated by Lee Bermejo: Rorschach shows how tough he is in various tough corners of New York over the years. Also, his 'The End is Nigh' sign finally gets a proper origin story. Guess what: it's the secret hero of Watchmen! As with most recent Azzarello-penned projects, all four issues combined will take less than 5 minutes to read.

The Comedian (6 issues), written by Brian Azzarello, illustrated by J.G. Jones: The Comedian demonstrates how tough he is in various tough locales over the years, as he turns out to be behind the assassinations of Robert Kennedy, Malcolm X, Martin Luther King Jr., and the Phillie Phanatic. As with most recent Azzarello-penned projects, all six issues combined will take less than 5 minutes to read.

Dr. Manhattan (4 issues), written by J. Michael Straczynski, illustrated by Adam Hughes: In order to reconnect with humanity, Dr. Manhattan starts walking across the United States. However, he quits halfway through and gets someone else to finish the walk.

Nite Owl (4 issues), written by J. Michael Straczynski, illustrated by Andy and Adam Kubert: Nite Owl discovers that his non-existent superpowers derive from The Owl Totem. Much brooding ensues. He loses an eye, but it grows back. At some point, he yells, "Not on my watch!"

Ozymandias (6 issues), written by Len Wein, illustrated by Jae Lee: 6 issues of hardcore, photorealistically rendered gay sex. The big surprise of the Before Watchmen event.

Silk Spectre (4 issues), written by Darwyn Cooke, illustrated by Amanda Conner: Silk Spectre's giant boobs take part in a variety of exciting adventures with life-affirming conclusions.

Curse of the Crimson Corsair (backup), written by Len Wein, illustrated by John Higgins: This is the story that's the comic-book equivalent of having a Beatles reunion with only Ringo Starr and George Martin involved, as original Watchmen editor Len Wein and original Watchmen colourist John Higgins give Watchmen fanatics the pirate story they've been waiting 25 years for, though what they were hoping for involved some combination of Alan Moore, Dave Gibbons, and the late Joe Orlando.

Before Watchmen: Epilogue (1 issue), various writers and artists: Surprise! The Epilogue to Before Watchmen is a lavishly recoloured Watchmen that slathers the art you loved in layers and layers of quasirealistic full-process colour! Written by Alan Moore, illustrated by Dave Gibbons, and coloured by the Computronic Colouring Robot 3000.

Bitten by a Radioactive Ayn Rand

DC Archives: Action Heroes Volume 2, written by Steve Ditko, Roger Stern, Steve Skeates, and others; illustrated by Steve Ditko, Alex Toth, Frank McLaughlin, John Byrne and others (1965-68; collected 2007): This collection contains a pretty clear moment at which comic-book great Steve Ditko, co-creator of Spider-man and Dr. Strange for Marvel, crossed the line into Ayn Randian propagandist. It occurs towards the end of the Charlton Comics 'Action Heroes' line from which these archives take their name.

It's a mind-boggling moment because it marks one of the few times that mainstream Ditko and self-published Ditko would merge into one angry, Objectivist loudspeaker. Ditko's two streams of output -- one for himself and one to pay the bills -- would pretty much permanently diverge after the demise of the Charlton superhero line, and others would pretty much handle all the scripting on his mainstream superhero titles.

Ditko helped revamp or create most of the always lame-duck Charlton Comics' superheroes, co-creating Captain Atom, Nightshade, and The Question and revamping Golden-Age crimefighter Blue Beetle into a nifty mix of Spider-man and Iron Man. This archive collects his later work on those Charlton superheroes. Captain Atom is a lot of fun, especially once inker Frank McLaughlin comes on board, and it's mostly free of cant. Blue Beetle is also jolly, zippy fun until the aforementioned Rand Moment, at which point the Blue Beetle becomes a Ditko mouthpiece. Not for long, mind you -- cancellation of the entire superhero line loomed.

And then there's the Question, a visually inspired Ditko creation whose main costuming as a superhero was a face made perfectly blank by a special mask. Alan Moore would base Rorchach in Watchmen on this guy, and you can see why. While the Question begins life as a fairly normal urban vigilante (albeit one wearing a suit, tie, and hat), he rapidly turns into Ditko's spokesperson for his Ayn Rand-derived ethics.

And boy, does he speak. A lot.

The Question's only book-length adventure from the 1960's, from the pages of Charlton's Mysterious Suspense, is one of the wordiest slogs you'll ever encounter in comic books of this or any other time. The sheer volume of verbiage crowds out much of Ditko's visual dynamism, leaving us with talking heads and the Question demonstrating that, for a brief time, he was the stuffiest of all stuffed shirts on the superhero scene. And his hatred of hippies was positively Cartmanesque.

The Blue Beetle also develops advanced Randitis and, in a memorable two-story team-up, he and the Question battle both evil, non-heroic Art and an evil, non-heroic Art critic. I kid you not. It's like Philosophers at Work played straight. Fascinating stuff. Come for Ditko's visual excellence, stay for the interminable lectures. Recommended.