Four Views of Mount Constantine

In the beginning... John Constantine by Moore, Veitch and Totleben c. 1984.

Oh, occult investigator/magician/former punk-rock musician John Constantine. Invented by Alan Moore, Rick Veitch, Stephen Bissette and John Totleben in the pages of Swamp Thing in the mid-1980's, he's become an eminence grise at DC Comics. His first series ran an impressive 300 issues at what became DC's adult-horror imprint Vertigo, though Constantine started before Vertigo existed. That 300-issue run had an impressive array of writers come and go over the years, along with an army of artists. 

That DC cancelled Constantine's Vertigo title to bring him back into the mainstream DC Universe continues to gall me: the two non-Vertigo Constantine series have been at best pale reflections of Constantine at his best. He looks like Sting. He probably sounds a lot like John Lennon, as they both hail from Liverpool. He fights Heaven, Hell, and assorted supernatural and human forces in between!

John Constantine Hellblazer: Son of Man (1998-99/Collected 2004): written by Garth Ennis; illustrated by John Higgins: Early 1990's Constantine scribe Garth Ennis returns for an arc with gritty artist/colourist John Higgins. Higgins' characters are stocky and brutal, befitting the story. As with many Constantine stories, it begins at the Ravenscar psychiatric facility in which Constantine spent a couple of years recuperating after the disastrous magical events in Newcastle in the early 1980's. A South London crime boss springs the young, unstable Constantine because he needs a magician to bring his five-year-old son back to life. 16 years later, an older Constantine gets pulled back into the crime boss' story again. There are repercussions to raising the dead.

Ennis, the most grotesque and splattery of all Constantine writers, brings the grue here. Higgins is an able collaborator, though he's not the world's best drawer of babies. The regrets of a misspent youth jostle for prominence with the regrets of a misspent present. The climax is comically anti-climactic, as Ennis always enjoyed taking the piss out of all of his protagonists and antagonists. But boy, the one demon we see here is surprisingly talky, given what sort of demon it turns out to be. Recommended.

John Constantine Hellblazer: Good Intentions (2000-2001/ Collected 2002): written by Brian Azzarello; illustrated by Marcelo Frusin: One of a very few Americans to write Constantine's book, Brian Azzarello takes the Hellblazing magician on a tour of rural America. Marcelo Frusin's art is maybe a shade too cartoony at points for the events it depicts. It also gets cheese-cakey at an unfortunate point involving Constantine's rescue of a woman who was being kidnapped so as to be raped and killed: maybe not the time for the hot underwear shots. Overall, the story is both weird and occasionally revolting. Constantine screws up, of course, but under the circumstances, almost anyone would. Infamous at the time for strongly implying a sex act between a drugged and drunken Constantine and a dog. I kid you not. Lightly recommended.

John Constantine Hellblazer: Stations of the Cross (2004/Collected 2006): written by Mike Carey; illustrated by Leonard Manco, Marcelo Frusin, Chris Brunner, and Steve Dillon: Mike Carey's lengthy run as Constantine writer concludes here with an amnesiac Constantine beset by foes human and demoniac. Even without his memory, Constantine is dangerous to foes and allies alike. The climactic story, from the double-sized 200th issue, gives us Constantine at his most vulnerable. It's a fine finish to Carey's tenure. The art works throughout, and is especially dark and evocative during Constantine's voyage into the labyrinth below the church of a malign cult. Recommended.

John Constantine Hellblazer:  The Roots of Coincidence (2008/Collected 2009): written by Andy Diggle; illustrated by Leonard Manco, Giuseppe Camuncoli, and Stefano Landini: This volume ends Andy Diggle's run as Constantine writer with a recontextualization of just who Constantine's greatest enemy was and is. Diggle draws effectively on Constantine's long comic-book history for this revelation. It works, though the mechanics of John's battle with his arch-nemesis never become crystal clear. It's a solid end to a solid run of comics, though the horror elements are mostly muted this time out and one of the lesser opponents, Mako, just doesn't have a name that strikes fear into me. Lightly recommended.

Before Watchmen!

I've returned from the farflung future of 2014, in which remaindered copies of the trade paperbacks of the various Before Watchmen series are currently being used to build flood levees in Louisiana. Without Before Watchmen, New Orleans would have been destroyed again. Thanks, DC!

But what a tremendous prequel to writer Alan Moore and artist Dave Gibbons's 1986-87 12-issue Watchmen limited series humanity got, despite the non-involvement of writer Alan Moore and artist Dave Gibbons. While Before Watchmen will neither be listed as one of Time magazine's 100 books of the century (as Watchmen was) nor become the best-selling American graphic novel in history (as Watchmen was), it does offer many delightful surprises. Excelsior!

So here's a spoiler-heavy rundown of the awesome delights that await you at your local comic-book shop in the summer of 2012.

Minutemen (6 issues), written and illustrated by Darwyn Cooke: The Minutemen engage in a number of exciting and life-affirming adventures that make absolutely no sense given what we saw of them in Watchmen. In one of them, a 50-year-old Comedian defeats Cassius Clay in a boxing match. Hoo ha, that's attention to historical detail! Their world is almost just like ours!

Rorschach (4 issues), written by Brian Azzarello, illustrated by Lee Bermejo: Rorschach shows how tough he is in various tough corners of New York over the years. Also, his 'The End is Nigh' sign finally gets a proper origin story. Guess what: it's the secret hero of Watchmen! As with most recent Azzarello-penned projects, all four issues combined will take less than 5 minutes to read.

The Comedian (6 issues), written by Brian Azzarello, illustrated by J.G. Jones: The Comedian demonstrates how tough he is in various tough locales over the years, as he turns out to be behind the assassinations of Robert Kennedy, Malcolm X, Martin Luther King Jr., and the Phillie Phanatic. As with most recent Azzarello-penned projects, all six issues combined will take less than 5 minutes to read.

Dr. Manhattan (4 issues), written by J. Michael Straczynski, illustrated by Adam Hughes: In order to reconnect with humanity, Dr. Manhattan starts walking across the United States. However, he quits halfway through and gets someone else to finish the walk.

Nite Owl (4 issues), written by J. Michael Straczynski, illustrated by Andy and Adam Kubert: Nite Owl discovers that his non-existent superpowers derive from The Owl Totem. Much brooding ensues. He loses an eye, but it grows back. At some point, he yells, "Not on my watch!"

Ozymandias (6 issues), written by Len Wein, illustrated by Jae Lee: 6 issues of hardcore, photorealistically rendered gay sex. The big surprise of the Before Watchmen event.

Silk Spectre (4 issues), written by Darwyn Cooke, illustrated by Amanda Conner: Silk Spectre's giant boobs take part in a variety of exciting adventures with life-affirming conclusions.

Curse of the Crimson Corsair (backup), written by Len Wein, illustrated by John Higgins: This is the story that's the comic-book equivalent of having a Beatles reunion with only Ringo Starr and George Martin involved, as original Watchmen editor Len Wein and original Watchmen colourist John Higgins give Watchmen fanatics the pirate story they've been waiting 25 years for, though what they were hoping for involved some combination of Alan Moore, Dave Gibbons, and the late Joe Orlando.

Before Watchmen: Epilogue (1 issue), various writers and artists: Surprise! The Epilogue to Before Watchmen is a lavishly recoloured Watchmen that slathers the art you loved in layers and layers of quasirealistic full-process colour! Written by Alan Moore, illustrated by Dave Gibbons, and coloured by the Computronic Colouring Robot 3000.

The Thunder Hides What the Lightning Sees

Thunderbolt Jaxon, written by Dave Gibbons, illustrated by John Higgins (2006): DC's Wildstorm imprint assayed a number of books in the mid-to-late oughts based on British comics characters of the 1940's, 50's and 60's. This was the so-called 'Albion' universe, which at its inception had some input from Alan Moore (Watchmen). And here we have two other Watchmen creators -- artist Dave Gibbons and colourist John Higgins -- on another Albion book, albeit as writer and artist, respectively. The history of the Thunderbolt Jaxon character is weird enough to warrant the inclusion of a link to it:

http://bearalley.blogspot.com/2009/03/origins-of-thunderbolt-jaxon.html

Wild, hunh? British comic books always seemed to have way loopier publication histories, especially when they dealt with super-heroes, who never gained the sort of strangehold on the comics mainstream that they did in the U.S.. The Albion miniseries of a few years back offered a cornucopia of bizarre British characters. One can see at least some of the occasional, carnivalesque wackiness of British comics writers that inlclude Alan Moore and Grant Morrison being inspired by the peculiar British world of super-heroes, science-heroes and giant crime-fighting eyeballs.

While Wildstorm's Albion miniseries brought a number of the old British characters into the modern world mostly unchanged, Jaxon instead attempts a complete reboot. It's an interesting though perhaps overly familiar at points story (kids find magical artifacts, magical artifacts turn one kid into an adult 'superhero' [in this case, the Norse god Thor]). Higgins's art looks great, and Gibbons keeps things zipping along.

The whole thing feels a bit decompressed (five issues for an origin that only truly gives us 'Thunderbolt Jaxon' at the very end?), and as sales were apparently not enough to justify an on-going series or another miniseries, we're pretty much left in the end with the end of the beginning of Thunderbolt Jaxon. Oh, well. The name itself is still great. Recommended.