Showing posts with label seabury quinn. Show all posts
Showing posts with label seabury quinn. Show all posts

Thursday, April 30, 2015

Horrors Unknown!

Horrors Unknown (1971) edited by Sam Moskowitz, containing the following stories: The Challenge from Beyond (1935) by H. P. Lovecraft, C. L. Moore, A. Merritt, Robert E. Howard, and Frank Belknap Long; The Flying Lion (1919) by Edison Marshall; Grettir at Thorhall-stead (1903) by Frank Norris; Werewoman (1938) by C. L. Moore; From Hand to Mouth (1858) by Fitz-James O'Brien; Body and Soul (1928) by Seabury Quinn; Unseen-Unfeared (1919) by Francis Stevens; The Pendulum (1939) by Ray Bradbury; Pendulum (1941) by Ray Bradbury and Henry Hasse; The Devil of the Picuris (1921) by Edwin L. Sabin; and The Pool of the Stone God (1923) by A. Merritt (as by W. Fenimore).

Sam Moskowitz assembles a dandy 1971 anthology of stories by major horror and fantasy authors that had not been previously anthologized  and puts it together with copious and useful biographical and bibliographical notes.

The genre gem here (at least for me) is "The Challenge from Beyond," a multiple-author story from the 1930's in which each writer wrote a couple of thousand words and then passed it on to the next writer. And what a group of writers -- H. P. Lovecraft, C. L. Moore, A. Merritt, Robert E. Howard, and Frank Belknap Long drive this car all over the road, off the road, and upside-down, in their own distinctive stylistic and thematic voices. It's certainly not a great story, but it is a hoot -- especially when Robert E. Howard (Conan) goes off on an almost stereotypical Robert E. Howard tangent in his section, leaving Long to figure out how to put everything back together again to end the story.

The rest of the collection has its joys too, especially to someone steeped in the genres and writers of fantasy and horror. Ray Bradbury's first published story and the revision of that same story he did with Henry Hasse isn't particularly good, but it's a great window into the author's brain in its earliest stages. The entries from Marshall, Merrit, Norris, and Sabin are all fascinating rarities.

C.L. Moore's solo entry, "Werewoman," is a dream-like, uncharacteristic entry in her pulp-space-hero Northwest Smith's adventures. The weird night-journey of "Unseen - Unfeared' by Francis Stevens has gone on to be anthologized numerous times since 1971 for its strange mix of science and the supernatural. And "Hand to Mouth" by the major and short-lived mid-19th-century fantasist Fitz-James O'Brien ("What Was It?", "The Diamond Lens") seems like a novella written 50 years too early. It, too, is a night-journey of dreams and nightmares, almost surreal or even dadaist in its sensibilities. In all, highly recommended.

Sunday, August 18, 2013

Weird!

Weird Tales Volume 1 edited by Peter Haining, containing the following stories: The Man Who Returned by Edmond Hamilton; Black Hound of Death by Robert E. Howard; The Shuttered House by August Derleth; Frozen Beauty by Seabury Quinn; Haunting Columns by Robert E. Howard; Beyond the Wall of Sleep by H. P. Lovecraft; The Garden of Adompha by Clark Ashton Smith; Cordelia's Song by Vincent Starrett; Beyond the Phoenix by Henry Kuttner; The Black Monk by G. G. Pendarves; Passing of a God by Henry S. Whitehead; and They Run Again by Leah Bodine Drake (1923-1939; collected 1978):

Solid anthology (well, the first half of a hardcover anthology, divided for paperback publication) of stories from the first 15 years of Weird Tales, the pulp magazine that got its start in 1923. This half is quite heavy on the novella-length story, with lengthy entries from Robert E. 'Conan' Howard, Seabury Quinn, Henry Kuttner, and Henry S. Whitehead.

The Howard piece is an interesting, intensely racist story of supernatural revenge set in the two-fisted South. Kuttner's story features his sword-and-sorcery hero Elak of Atlantis. Seabury Quinn's supernatural detective Jules de Grandin tackles Bolsheviks and suspended animation in a fairly un-supernatural outing.

Solid shorter stories come from H.P. Lovecraft, August Derleth, and Edmond Hamilton (the latter Quinn's only real rival for the title of 'Most popular writer among the then-readers of Weird Tales). Clark Ashton Smith's entry is a grotesque humdinger. And the now-little-known Henry S. Whitehead contributes a truly bizarre piece about voodoo and...stomach tumours??? It's not a tumour!!! Recommended.

Thursday, December 15, 2011

Hell Cows

Hellboy Volume 11: The Bride of Hell and Others, written by Mike Mignola, illustrated by Mignola, Richard Corben, Kevin Nowlan and Scott Hampton (Collected 2011): Mignola continues to alternate between advancing Hellboy's contemporary adventures (which now pretty much occur entirely in terms of the series' overall arc about Hellboy's destiny) and filling in Hellboy's exploits in the past.

 
Hellboy's past on Earth gives Mignola a pretty wide and deep canvas to paint on, as Hellboy operated across the globe for about 50 years as an investigator for the Bureau of Paranormal Research and Defence.

 
Here, we get a big helping of the past, including a now rare (and always appreciated) appearance by artist Kevin Nowlan in a change-up story involving cattle mutilations and aliens. Richard Corben does visceral work on stories that involve Mexican wrestlers, Egyptian mummies, and an extinct rival for the Templars (in a story Mignola notes was partially inspired by Seabury Quinn's stories of occult detective Jules de Grandin, who battled ghostly Templars in one story and, in his only novel-length adventure, took on the case of The Devil's Bride).

 
Elsewhere, Scott Hampton illustrates a fascinating story about why vampires on Earth-Hellboy aren't more prevalent, and Mignola himself takes up the pen for a story that first appeared on-line at the USA Today site (!).

 
Mignola's interest in myth, popular culture, and genre antecedents that include H.P. Lovecraft and the aforementioned Seabury Quinn again shine through, as does his ability to mix the absurd with the deadly serious. Highly recommended.