Bringing Light

Lucifer Volume 9: Crux: written by Mike Carey; illustrated by Peter Gross, Marc Hempel, Ryan Kelly, and others (2005/Collected 2007): So we enter what amounts to the stretch run of Mike Carey and Peter Gross's Lucifer comic series. This version of Lucifer first appeared in Neil Gaiman's Sandman back in 1990. Carey would pretty much make him his own once the Lucifer series began in the late 1990's, to run 75 issues and assorted other miniseries and one-shots.

War now percolates across a number of dimensions, realms, and at least two universes. Who will be fighting whom, and why, is not quite determined in this volume. Things do look dire for Lucifer's home universe, where the prolonged absence of Yahweh has started to cause the universe to fall apart. 

In the universe Lucifer created earlier in the series, various natural and supernatural beings have begun to choose sides. In Hell, decisions must be made about who rules Hell, and how Hell should be ruled. Heaven is falling apart. Earth isn't in much better shape. And Lucifer's endgame remains unclear, though the events of the previous eight volumes seem to have given the Lightbringer a slightly less caustic sense of humour.

It's all surprisingly and fantastically written by Carey, with Peter Gross and Marc Hempel making the most fantastic things seem plausible and, at appropriate moments, surrealistically sinister. Highly recommended.

Lucifer Volume 10: Morningstar: written by Mike Carey; illustrated by Peter Gross, Michael Kaluta, Colleen Doran, Ryan Kelly, and others (2005-2006/ Collected 2007): War erupts. Creation continues to dissolve in the continued absence of Yahweh. The plan of the malevolent Deck of Cards, the Basanos (yeah, you read that right), comes to fruition. Hell gets re-organized on a non-judgmental model. All of Lucifer's plans come to a head. Fenris, the Big Bad Wolf of all creation, looks to destroy everything. And the role of half-angel Elaine Belloc, the daughter of the Archangel Michael, will finally be fully revealed. Lucifer, first known as Samael Lightbringer, isn't a good guy, but he's pretty much the universe's last line of defense against ultimate destruction. Go Team Lucifer! Highly recommended.

Lucifer Volume 11: Evensong: : written by Mike Carey; illustrated by Peter Gross, Michael Kaluta, Dean Ormiston, Jon J. Muth, Ryan Kelly, and others (2005-2006/ Collected 2007): War is over. Loose ends must be tied up. There's a new God on the Throne of Heaven, re-establishing Creation and preventing the dissolution of everything into primordial nothingness. And that God isn't Lucifer. He will tie up the loose ends he feels responsible for, before flying off into the Vasty Deep that is the Ancient Chaos that lies outside his particular universe. 

As a somewhat confusing bonus, this last volume include the standalone graphic novel Lucifer: Nirvana, which is not the grunge crossover you may be expecting. It came out in 2002, four years before the rest of the volume, but is somewhat confusingly placed last in the volume. It features some nice painted artwork from Jon J. Muth (Moonshadow), though I prefer the more traditional cartooning of regular Lucifer artist Peter Gross when it comes down to it. 

In all, a wonderful series from writer Mike Carey, Gross, and all the others who worked on it. We come full circle towards the end, with Lucifer's conversation with Dream from Neil Gaiman's Sandman retold from a slightly different POV, and with the knowledge of everything that happened after Lucifer emptied Hell and gave the keys to Dream. Also, the always entertaining Gaudium does some cleaning up in what amounts to the sub-basement of all religions. Highly recommended, though you'll now be fortunate enough to buy it new in five volumes, not 11.

Debts

Lucifer Volume 5: Inferno: written by Mike Carey; illustrated by Peter Gross, Dean Ormiston and others (2002): After his fight with the malign, supernatural card deck (!) known as the Basanos, Lucifer is weakened, many of his powers separated from him and stored in two lost feathers from his wings (double !). Challengers with vengeance on their minds are after him. He really needs to get back to the administration of the universe he created.

Oh, and Lucifer owes a debt to part-angel Elaine Belloc, a debt that he must repay by rescuing her stolen soul from the great areas of uncreated space known as the Mansions of the Silence. And there are, of course, other loose ends that involve the archangel Michael, the fallen cherub Gaudium, and the fate of the demon who killed Elaine.

Add in supernatural avenger Solomon (son of David), Loki, Yahweh, Mazikeen of the Lilim, and a standalone tale featuring a cancer-stricken convenience store owner and the surprisingly decent demon who frequents his store and you've got a collection. Recommended if one has read the books before this volume.

Tarot of Terror

Lucifer Volume 4: The Divine Comedy: written by Mike Carey; illustrated by Peter Gross and Dean Ormiston (2002; collected 2003): Lucifer, based on the version of Lucifer in Neil Gaiman's earlier Sandman series, has succeeded in creating his own universe. Humans and supernatural beings have flocked there from God's universe through any one of thousands of portals, there to live by only two commandments: Thou shalt not worship any gods, and thou shalt not attempt to be worshipped as gods.

And things seem to proceed swimmingly.

But Lucifer has enemies and rivals. He also has allies, though he doesn't have any friends -- he's a self-involved jerk, which means readerly sympathy has to be built upon the supporting characters and, negatively, by showing that Lucifer's enemies are much, much worse than he is.

Carey, Gross, and Ormiston succeed in this task -- Carey's writing zips along, combining inventiveness with a quirky oddness of original creation; Gross and Ormiston are deft cartoonists, cleanly rendering a world of wonders and terrors both supernatural and natural. And the fallen Cherubim Gaudium really is cute in a gargoyley way as he complains his way across two creations.

Lucifer's chief opponent here is the Basanos, a sentient Tarot Card deck created as a malign twin of the Book of Destiny. The Basanos can see all possible realities and force the outcome they desire; Lucifer is powerful enough to shrug off almost any and all attacks imaginable. But we're dealing with a deck of cards here -- They/It have something up Their/Its sleeve(s). Highly recommended.

The Verdict on Satan: Quite a Guy!!!

Lucifer Volume 6: Mansions of the Silence, written by Mike Carey, illustrated by Peter Gross, Ryan Kelly, Dean Ormston and David Hahn (2003; collected 2004); Lucifer Volume 7: Exodus, written by Mike Carey, illustrated by Peter Gross and Ryan Kelly (2003-2004; collected 2005): Mike Carey's version of Lucifer, created by Neil Gaiman in his Sandman series, almost seems like a conscious upping of the ante with Gaiman's award-winning title about Dream of the Endless. Dream wasn't all that likeable. Indeed, he was something of a jerk. Indeed, the whole series was in part about Dream coming to terms with the fact that he was a jerk in the self-pitying Byronic mode.

And here we have Lucifer, who is even more of an anti-hero, though a fascinating and shaded one, and definitely not one to be burdened by guilt or self-pity. In such a situation, one's sympathies will be engaged not by the titular protagonist but by the supporting characters, though Lucifer occasionally comes across pretty well simply because so many of his opponents are such monsters and assholes by comparison.

Lucifer gave up his kingship of Hell fairly early in the Sandman series, wandering the Earth for awhile before opening a night-club (aptly named Lux) in Los Angeles. But his out-sized ambitions returned, and by the time of these volumes he's created his own universe, apparently hoping to learn from the mistakes of his Father -- that is, God, or the Presence as he is generally called herein.

Mansions of the Silence depicts Lucifer's repayment of a debt to the human/angel hybrid named Elaine Belloc, who saved Lucifer's life in a previous installment but whose soul was subsequently kidnapped and dragged off into the eponymous Mansions, a vast expanse inhabited by various supernatural beings who have no interest in living in any of the codified afterlifes of the spiritual universe.

Belloc's soul has been used to bait a trap for Lucifer; he despatches a ragtag group of allies into the Mansions both to reveal the extent of the threat and to preserve the integrity of this spiritual space, at least until he retrieves Elaine. Lucifer's power is too great for the Mansions to support his presence -- if he enters them, the entire realm will quickly disintegrate.

The quest is weird and wooly, with lots of mythical overtones, undertones, and shout-outs to a wide assortment of world religions. Exodus then follows Lucifer's subsequent moves, and the fall-out from God's big announcement at the beginning of Mansions. Lucifer plays the hero, to an extent, in both volumes, though always for his own reasons -- reasons which are not entirely revealed at the time. He's a right bastard, but less so than any of the gods (or God) we meet, and Lucifer's creation seems remarkably benign and pleasant under the circumstances.

Carey deftly combines humour and pathos and the epic throughout both these volumes -- a 'mini-arc' about an odd and very sympathetic demon who spins webs out of emotions he steals from human souls is the stand-out in Exodus, a weird little heart-warmer about families and friendship. The art by Peter Gross and others is crisp throughout, expressively managing to convey menace, the Sublime and a pleasing level of cartoony humour at the appropriate moments with equal skill. Recommended.

Lucifer 1 2 3

Lucifer Volume 1: Devil in the Gateway, written by Mike Carey, illustrated by Peter Gross, Dean Ormiston and others (1999-2000): Lucifer resigned as ruler of Hell, got Morpheus to cut off his wings, and moved to Los Angeles to open an upscale piano bar called Lux in the pages of Neil Gaiman's Sandman in the early 1990's. Then Vertigo Comics decided to bring him back in 1999, with then up-and-coming writer Mike Carey at the helm.

Lucifer being Lucifer, the piano bar business seems to have become a bit boring. So when an angel comes calling with a mission from God, Lucifer accepts. Primal, prehistorical gods threaten to undermine Creation, so off Lucifer goes, at a price, to save the world.

After that, the Lightbringer heads off to Hamburg to get a divination. As the magical colony organism that is the world's first Tarot deck has escaped its prison, things get pretty hairy there, too.

As Lucifer is a manipulative, scheming creature whose saving grace is that he never lies, a lot of the weight of interest in these stories falls on the supporting characters, human and otherwise, whom we meet along the way. Lucifer's loyal servant Mazikeen returns from Sandman, while a host of one-off and recurring characters also appear. Lucifer, tricky as ever, has an audacious plan that will ultimately unfold over the book's seven-year run.

Carey already shows a deft hand for weirdness and drama amidst supernatural beings and humans, one that would only grow greater as his career progressed. The series gets off to a dandy start, reminiscent of Sandman at times but nonetheless possessed of its own nasty, metaphysically probing edge. Recommended.

Lucifer Volume 2: Children and Monsters, written by Mike Carey, illustrated by Peter Gross, Dean Ormiston and others (2000-2001): Lucifer puts his plan into action, and it's a doozy. But then he needs to visit one of the Japanese Hells, where he has no powers (being from a different religion as he is) but where he needs to recover his lost wings from the ruler of that realm.

And that's only the beginning.

Carey and main artists Gross and Ormiston takes us through both mystic and mundane realms, sometimes at the same time. Magical beings and humans are being drawn like moths to a flame to Lucifer's piano-bar Lux, wherein Lucifer's grand plan unfolds. Hosts of angels plan a massive attack on Lux, with Los Angeles itself caught in the crossfire. And for some reason, a little girl who can see dead people is a major part of Lucifer's plan.

This second volume of Lucifer's wacky adventures also gives us an ancient and horrible curse, the fate of the Sumer-Babylonian gods (who are themselves weirdly and creepily rendered), and the further unfolding of Lucifer's plan. The archangel Michael, the fallen angel Sandalphon, and a variety of other gods and monsters also make appearances, including a particularly nasty pair of proto-Djinns who really, really want to get out of the 'normal' universe they've been trapped in for millennia. Recommended.

Lucifer Volume 3: A Dalliance with the Damned, written by Mike Carey, illustrated by Peter Gross and others (2001-2002): The secret of the nominally Christian Hell imagined by Neil Gaiman in Sandman and expanded upon herein by Mike Carey is that it isn't really Hell as we normally understand it: damned souls can leave at any time if they can stop believing themselves to be damned. But that rarely happens.

The three major arcs of this volume follow Lucifer, a magical little girl and the denizens of one of Hell's provinces as various plans and counterplans proceed apace. Very bad things happen. A human released from torment manages to outwit his tormenters. Lucifer continues to be his grumpy, sardonic self. And his companion Mazikeen, bizarrely maimed in a successful attempt to save its life, begins to rise up the ranks of the Lilim, those demonic beings born of the union of Adam's mostly forgotten wife Lilith and the demons of Hell.

As always, there's a nice mix of zany but 'real' mythological material and Carey's occasionally post-modern musings on gods, angels, redemption, and damnation. The demons and devils are loathsome, but so too are some of the angels opposing Lucifer. Strange, heady stuff. Recommended.