Ditkopalooza

The Steve Ditko Omnibus Volume 1 featuring Shade the Changing Man: all stories plotted and illustrated by Steve Ditko with additional writing by a cast of thousands (Collected 2010); The Steve Ditko Omnibus Volume 2 featuring Hawk and Dove: all stories plotted and illustrated by Steve Ditko with additional writing by a cast of thousands (Collected 2010):

Writer-artist Steve Ditko's quixotic nature was only amplified by the cruddy state of mainstream comic books for the people who actually created characters for the companies. His two most notable co-creations for Marvel Comics were Spider-man and Dr. Strange, though he also did character-defining work on Iron Man and the Hulk. Tired of Stan Lee's scripting and editing choices, Ditko left Marvel for more than a decade in the late 1960's. For the last 15 years, he's pretty much done his own, self-published thing, with very occasional short work for DC. He's famously reclusive.

Prior to his fame-creating Marvel superhero work, Ditko did thousands of pages of horror and monster work for many companies, honing his skills until he'd pretty much reached his impressive peak in the 1960's at Marvel and on B&W horror stories for Warren, and superhero work for DC and Charlton in the late 1960's.

These two omnibuses collect all of Ditko's output for DC other than his work on The Creeper in the 1960's and 1970's. In total, the collection spans several decades, offering the great, the good, and the very occasional indifferent sides of Ditko. He plotted many of the stories here (though not all), wrote a few, and either fully illustrated or pencilled the rest. It's a really great, broad look at one of the most important, influential, and fascinating American comic-book creators.

Ditko's unique ability to depict ordinary looking people in fantastical environments was at its best in Dr. Strange, but the Shade stories reprinted here are a very, very close second. They're utterly bizarre and engaging, and Ditko finds in dialogue-writer Michael Fleisher a kindred spirit when it comes to odd dialogue and description. Many of the pieces fully scripted by others take advantage of Ditko's strengths as well.

The pieces penciled but not inked by Ditko offer a fascinating look at how different artists approached Ditko's art. Romeo Tanghal, an excellent inker of George Perez on New Teen Titans in the 1980's, does a really solid job on the Starman adventures reprinted herein. The masterful Wally Wood doesn't always completely work on the four issues of Stalker he and Ditko did together, sometimes overpowering Ditko's distinctive faces, but it's still worth looking at.

There are a few duds in the inking department, but they're few and far between. And while Ditko's Legion of Super-heroes stories aren't an artistic high-point for him, they do accomplish something that a lot of artists on LSH failed at: they make the characters look like teen-agers.

The peaks collected here are really high, and the valleys (mostly horror shorts) still offer some of that Ditko magic. One also gets the only time Ditko drew Batman in a comic-book story (albeit as a guest-star in the first issue of the short-lived Manbat series), and Ditko's crouching, weirdly endearing take on Jack Kirby's Demon. Highly recommended.

Cry for Love

The Boys Volume 7: The Innocents: written by Garth Ennis; illustrated by Darick Robertson, Russ Braun, and John McCrea (2010): Revelations follow revelations, as Bill Butcher comes to believe Hughie is secretly working for the evil Vought-American corporation because his girlfriend turns out to be a member of premiere superhero group The Seven.

Hughie being Hughie, this is all a coincidence aggravated by Hughie's blithe ignorance of current events and, for that matter, who exactly it is that he and the rest of The Boys are fighting. Hughie's also going to finally find out a different terrible truth about his girlfriend, but only after spending time keeping tabs on Superduper, the only superhero group composed of neither bastards nor poseurs.

That's because, no joke, they're all suffering from major mental health issues which render them benign, loveable, and pretty much harmless. Hughie's relationship with the members of Superduper (a parody of DC's teen supergroup of the 31st century, the Legion of Superheroes) will pay dividends much later in the series. Recommended.

The Boys Volume 10: Butcher, Baker, Candlestickmaker: written by Garth Ennis; illustrated by Darick Robertson (2011): Collection of the six-issue miniseries that finally laid out Boys leader Bill Butcher's tortured personal history. The violence is often overwhelming, as is the tragedy: Butcher is cut from the same mould as Ennis's Saint of Killers in the earlier Preacher series, a violent hardcase redeemed by love and then further damned with the loss of that love. Recommended.


The Boys Volume 11: Over the Hill with the Swords of a Thousand Men: written by Garth Ennis; illustrated by Russ Braun, John McCrea, Keith Burns, and Darick Robertson (2011-2012): The corporate controlled superheroes have decided to take over the world. Well, 65% of them, anyway, while the other 35% lay low and wait to see who wins.

Have Bill Butcher's plans prepared the world to successfully stand against several thousand nigh-invulnerable wankers, or will the vile and vainglorious Homelander soon rule over everything? And which side will corporation Vought-American, which didn't authorize a hostile takeover of the United States by the superheroes it created, come down on as all Hell breaks loose? And will Bill Butcher finally get vengeance upon the Homelander for the rape and subsequent death in (super-powered) childbirth of his wife? And if everything ends here, why is there one more volume to go? Highly recommended.

The Boys Volume 12: The Bloody Doors Off: written by Garth Ennis; illustrated by Garth Ennis, Russ Braun, and Darick Robertson (2012): The six-year, 90-issue, 2000-page odyssey of The Boys ends here, a few months after the blood-soaked superheroic attempt to overthrow the U.S. government. Loveable Scottish Boys member Hughie is still having relationship problems with former superheroine Starlight, more normally referred to as Annie. Vought-American is still up to lots of things, most of them profitable and dreadful. But with armageddon averted, Boys leader Bill Butcher suggests that the Boys take a vacation.

But when a Russian superhero ally of the Boys shows up dead along with a black marketeer, the vacation is cut short. And then the deaths of both supporting and main characters start to mount. Who is tidying up? Was the superhero coup the real threat? Is Hughie capable, mentally and physically, of engaging this newly revealed conspiracy and saving millions or perhaps even billions of lives? Is this Garth Ennis' last superhero comic book? All will be revealed. Highly recommended.

The Future Begins Again

Legion: Secret Origin: written by Paul Levitz; illustrated by Chris Batista and Marc Deering (2011-2012): This expanded origin story for the 'New 52' Legion of Super-heroes features the scripting of long-time (as in, on and off again since the early 1980's) LSH writer Paul Levitz and the appropriately clean, crisp artwork of Chris Batista and Marc Deering. The Legion, super-powered humans and aliens from worlds throughout the Milky Way galaxy in the 31st century, are back once again. There may be problems in the 31st century, but the Legion has always worked best against the backdrop of an at-least-partially utopian future Earth beset by problems from without and within, and not, as in the dismal late 1980's '5 Years Later' LSH universe, a ruined world being fixed by an almost equally broken Legion.

Levitz sticks with the decades-old framework of the Legion's origin (the three teenaged founding members save multi-zillionaire R.J. Brande from an assassination attempt; their efforts cause him to suggest they form a superhero team with his financial backing). Additional complexities, political intrigues, and schemes are added. The heroes learn to work together and show their worth to the United Federation of Planets. Both Brande and the young heroes plan to recruit Superboy from the past, though this doesn't happen in the origin. An ancient (in more ways than one) Legion enemy makes its first appearance (again).

I'm not sure how this introduction would play with someone who's never read a Legion adventure before. I thought it was a solid version of the origin, comprehensive without being overburdened with continuity. The Legion has almost always seemed to suffer most after a DC reboot or partial reboot (1985's Crisis on Infinite Earths and 1994's Zero Hour were especially destructive to Legion continuity and, ultimately, popularity), so it's nice to see that they've emerged from September 2011's Flashpoint reboot as perhaps the least affected DC book. And they get to keep Superboy as a member. Recommended.

Legion Regained

Legion of Superheroes Volume 6, 1-16, Annual 1, Legion of Supervillains Special 1, Adventure Comics 521-529 , written by Paul Levitz, illustrated by Geraldo Borges, Marlo Alquiza, Phil Jiminez, Andy Lanning, Sean Parsons, Jeffrey Moy, Philip Moy, Ransom Getty, Rob Hunter, Francis Portella, Keith Giffen, Scott Koblish, Yildiray Cinar, Wayne Faucher, Daniel HDR, Bob Wiacek, Jonathan Glapion, and Raul Fernandez (2010-2011): DC's 31st-century superteam finally got most of its pre-Crisis, pre-Zero Hour history back a few years ago -- complete with a young Superman as a time-travelling member -- only to run smack-dab into yet another company-wide continuity reboot. What that means will become clear once yet another LSH#1 hits the stands in September. For now, a longtime LSH reader can at least bask in the enjoyment of a truly gigantic arc written by pivotal LSH writer Paul Levitz.

In the main book, the arc's events kick off with the destruction of Saturn's moon Titan, inhabited by a telepathic species of humans in the 31st century. This is masterminded by the Legion of Supervillains, the Legion of Superheroes' opposite number. A weird blue thingie materializes and starts giving orders before taking off for parts unknown. The LSV starts gathering new members. The LSH tries to stop their violence and discover what the masterplan happens to be. And on Oa, home planet of the lost Guardians of the Universe, the last Green Lantern looks to rebuild the Green Lantern Corps in order to help the LSH face this new cosmic threat.

Because the LSH has a cast of hundreds, characterization has to come in quick spurts as we jump from character to character within the overall structure of the plot. Smaller arcs play out as we go along, including the travails of the current crop of would-be heroes at the Legion Academy, the redemption of super-powered xenophobe Earth-man, and long-time Legion powerhouse Mon-El's acclimation to being the first of a new Green Lantern Corps.

The weight of villainy is carried almost exclusively by familiar villains, most importantly super-telepath Saturn Queen, who's basically the lieutenant of the mysterious blue thingie. The reveal of the blue thingie's true identity -- and indeed the climax itself -- seems a bit short and rushed, almost certainly because the arc ran straight into the Reboot Wall.

Still, this is an enjoyable return to glory for the Legion, with fine artwork from a lot of artists, most notably Yildiray Cinar (who, alas, will leave the Legion in September). I'll be interested to see what happens next after the relaunch, though I hope we're not stuck with the unfolding of yet another lengthy explanation of a new Legion's history. Recommended.

Infinite Regress

Superman and the Legion of Superheroes, written by Geoff Johns, illustrated by Gary Frank and Jon Sibal (2007-2008): The pre-Crisis on Infinite Earths Legion of Superheroes (LSH) (from the 31st century!) gets reinserted into official DC continuity by Johns and Frank in a pretty enjoyable reunion adventure with Superman, who now remembers being a member of the Legion as a teenager because he actually (again) was a member as a teenager. Several 31st-century years after Superman/boy last visited the Legion, they send a Time-Bubble to get him (though first they have to telepathically unlock his hidden memories of being in the Legion).

Hilarity ensues in a 31st century gone boopy, where a xenophobic Earth has banished aliens and a human-only new Justice League are acting like a bunch of dinks. Superman comes through, and various threads are introduced that lead directly to the subsequent Superman/LSH miniseries Superman: Legion of Three Worlds, and then to the current new Legion stories in the relaunched LSH and Adventure Comics. Fun space-opera action with a lot of old 'friends' from my youth, though I can't believe the evil Justice League killed Legion of Substitute Heroes member Doubleheader. That's just wrong. Recommended.

Day of Vengeance, written by Judd Winick and Bill Willingham, illustrated by Ian Churchill, Justinano and Walden Wong (2005): One of several lead-ins to 2005-2006's DC megacrossover/reboot Infinite Crisis, Day of Vengeance tells the tale of a war among DC's supernatural heroes. The Spectre, the most annoying and powerful magical being in the DC universe, has gone crazy again after being stripped of his latest human host, once-and-future Green Lantern Hal Jordan.

Seduced by dark 'god' Eclipso, the Spectre sets out to destroy ever other magic-user on Earth. Only a ragtag group of C-list magic heroes (The Enchantress, Nightshade, Detective Chimp, Blue Devil, Ragman and that guy whose name I always forget) can stop him, or at least help Captain Marvel stop him. Fun but inconclusive -- the actual climax to this would appear months later in its own special after Infinite Crisis, and lead into the short-lived and much-missed (by me) magical team series Shadowpact. Recommended.

Legion

Showcase Presents Legion of Superheroes Volume 4, written by Jim Shooter, E. Nelson Bridwell and Cary Bates; illustrated by Curt Swan, Win Mortimer, Dave Cockrum, George Tuska, Jack Abel and others (1967-1972; collected 2010): The fourth Legion of Superheroes (LSH) Showcase volume takes us through a period of transition for DC's group of super-powered teenagers in the 30th century (and Superboy and Supergirl).

Artistic great Curt Swan leaves for full-time pencilling duties on the Superman books, and World's Youngest Comic-book Writer Jim Shooter follows a year or so thereafter. Legion stories shift from Adventure Comics to Action Comics to Superboy, losing pages every time. But Superboy would become Superboy and the Legion of Superheroes soon after the stories collected here. Dave Cockrum, one of the best artists the Legion ever had (and a pivotal co-creator of Marvel's new X-Men a few years down the road) pencils his first few stories here.

The best story here is the opening two-parter by Shooter, Swan and inker Abel, in which a handful of Legionnaires flee to 20th-century Smallville with the forces of Mordru the Mystic close behind them. Mordru's powerful enough to defeat the entire Legion by himself (Superboy is as vulnerable to magic as anyone else), and the two-parter is a mini-masterpiece of suspense.

One of the things the Legion did for Superboy was regularly place him in situations of real peril that didn't always have to involve Kryptonite. While the Superman books of the 1960's seemed perpetually stuck with a nearly omnipotent Man of Steel, the Legion books gave us a Superboy who could be hurt and even killed by the villains he faced. It made for a lot more drama.

After Shooter left, things got a lot less interesting, though the end of the volume brings young writer Cary Bates and the aforementioned Cockrum onto the stage, hinting at better days to come. One of the icons of early comic-book fandom, the Legion also looked forward to the dizzying array of superheroes that would come to characterize Marvel's 1980's super-hit X-Men: Legion members included such bizarrely gifted heroes as Matter-Eater Lad (who could eat anything), Bouncing Boy (who could bounce really well), and Chemical King (who could speed up chemical reactions).

Unlike later X-heroes and X-villains, the Legion members had helpfully descriptive names: one could actually tell what their powers were just by knowing their names, a far cry from characters with names like Holocaust, Marrow and Apocalypse. So it goes. Long-time artist Win Mortimer's art on the Legion here is better than I expected, partially because Jack Abel's inking gives the whole thing that peculiar weight and darkness that was Abel's trademark. Long live the Legion! Recommended.

10

Comics:


Tom Strong's Terrific Tales Volume 1 by Alan Moore, Steve Moore, Paul Rivoche, Alan Weiss, Art Adams and others (2002-2003):This anthology title puts Tom Strong, his family and friends, and far-future crime-fighter Jonni Future through a variety of adventures. Highlights include the tales of Tom Strong as an orphan growing up on tropical island Attabar Teru with the helpful Otu tribe, pretty much Moore's homage to the youthful Tarzan flashback book Jungle Tales of Tarzan (or if you want to go back to Tarzan's inspiration, Mowgli in The Jungle Book). Jonni Future, a 20th-century woman, uses the Time Bridge to battle evil 4 billion years in the future with the help of her leopard-like Paraman companion, a spaceship shaped like a Coelacanth, and a pair of the largest breasts in comic-book history.


Tom Strong's Terrific Tales Volume 2 Alan Moore, Steve Moore, Alan Weiss, Art Adams and others (2003-2005): The anthology title draws to a close with this collection of issues 7-12. Probably only Alan Moore could get artists like Peter Kuper, Jaime Hernandez, Peter Bagge and Sergio Aragones all working on what amounts to a superhero title, which is why Alan Moore is God. Maybe not the God, but definitely a God. Jaunty and fizzy, but with a surprising hit of poignance at the end as Tom leaves Attabar Teru (and, unbeknownst to him, future wife Dhalua) for Millennium City in the early 1920's in the final tale. But he'll be back. Highly recommended.


Legion of Superheroes: Enemy Rising by Jim Shooter and Francis Manapul and others (2007): Jim Shooter is one of the two most celebrated writers DC's 30th/31st-century super-hero teen team the Legion of Superheroes ever had (the other is longtime LSH scripter Paul Levitz), having helped make the Legion a cult favourite back in the 1960's, when Shooter became the youngest writer of a mainstream comic-book in, probably, ever (he was 13 (!)). Those 60's Shooter-scripted stories are still a delight today. Here, DC tries to catch lightning in a bottle again, bringing Shooter back to the book for the first time since a brief stint in the mid-1970's.

The result is actually pretty enjoyable, especially with the revelation in a whole other, later miniseries (Final Crisis: Legion of Three Worlds by Geoff Johns and George Perez) that this Legion is not the 'classic' Legion that once had Superboy as a member. No, this Legion, somewhat bizarrely, is the Legion of what is nominally 'our' world in the DC Universe, Earth-Prime. This at least explains all the Silver Age DC Comics Phantom Girl keeps reading.

Shooter develops an epic main plot (mysterious aliens attacking worlds throughout the galaxy) and copious melodramatic subplots with flair, though the results are a bit busy at times. Manapul's art is a bit too manga-influenced for me, but it goes down relatively smoothly, if occasionally a bit cutesy. Recommended.


Legion of Superheroes: Enemy Manifest by Jim Shooter and Francis Manapul and others (2008): Jim Shooter and the most-recent-until-three-months-ago Legion title go out together as the year-long "Enemy" storyline wraps up (and a bunch of subplots, like Princess Projectra's secret perfidy, do not). The ending seems a bit rushed, probably due to that whole cancellation problem, but overall it's a pretty nice ride. Recommended.


Doctor Who Classics Volume 3 by Dave Gibbons, Grant Morrison, Steve Moore, Steve Parkhouse, Bryan Hitch, John Ridgway and others (1981-89): A nice selection of original stories of the 4th, 6th and 7th Doctors from the B&W British Doctor Who magazines of the 1980's by some of the leading lights of British comic books. Nothing too fancy, though one possible origin story for the Cybermen is offered almost as a throwaway. Recommended.


Tom Strong Book 4 by Alan Moore, Geoff Johns, Chris Sprouse, Peter Hogan, Jerry Ordway and others (2003-2004): The alternate universe 'Tom Stone' three-parter is the centerpiece of this collection, as Moore's Doc Savage/Tarzan/Superman mash-up is shown a glimpse of a universe where he never was -- and where things initially seem to be much better than in the universe he lives in. The other stories in the volume are a bit more light-hearted. In the alternate universe in which Alan Moore never had his falling out with DC Comics, one imagines this is what Moore might have ultimately tried to do with Superman. Highly recommended.


Tom Strong Book 5 by Alan Moore, Mark Schultz, Brian K. Vaughan, Ed Brubaker, Shawn McManus, Duncan Fegredo and others (2004-2005): "The Terrible True Life of Tom Strong" by Brubaker and Fegredo is the high point of this collection. It almost out Alan-Moores Alan Moore as Tom Strong realizes that the dismal reality he thinks he exists in is an illusion because nothing could be as awful as, well, something that looks a lot like our world. Which is one of those points Moore makes from time to time. Tom's real, real world, a high-tech, lost-jungle-city wonderland comprising pretty much every comic book and pulp story ever written, is the sunshiney yin to the broody yang of Moore and Kevin O'Neill's The League of Extraordinary Gentlemen. Highly recommended.


What If? Secret Wars by various (2008-2009): A bunch of up-and-coming writers and artists create new endings for a variety of Marvel Event Books, including The Death of Captain America and the 1980's Secret Wars miniseries. About as good as the What If? titles ever were, which is to say interesting, uneven, and prone to kneejerk bleakness.Sort of recommended, sort of not.


Supreme: Story of the Year by Alan Moore, Joe Bennett, Rick Veitch and Alex Ross (1995-96): Supreme, a Superman knock-off created by the much-reviled Rob Liefeld for his portion of Image Comics, gets the superduper metafictional treatment here from Alan Moore and a number of artists, including Rick Veitch in full homage/parody mode. Supreme discovers that his universe is prone to periodic revisions, revisions which mimic the changing styles of comic books from the 1930's to the 1990's. In the 'present' he tries to adjust to the Earth after having been away for decades; to do so, he reminisces about the 'past', rendered by Veitch and written by Moore to resemble various eras and genres throughout the history of comic books.

The lines between homage, parody, commentary and plagiarism are often razor-thin here, as a number of the flashback stories are modelled on specific stories from Superman's past (one which riffs on a late 1970's/early 1980's Jim Starlin Superman/Spectre team-up from DC Comics Presents is especially jarring in this regard -- it might as well BE the original story). One gets the feeling Moore was trying to write Superman out of his system. The result is enjoyable and occasionally frustrating, but now looks like a necessary transitional book between Moore's work for DC and his much later metafictional epics in Tom Strong and The League of Extraordinary Gentlemen. Recommended.


DC vs. Marvel by Ron Marz, Peter David, Dan Jurgens, Jose Luis Garcia Lopez, Kevin Nowlan and others (1996): Continuity is the great ball-and-chain dragging down this 'epic' DC-Marvel crossover event from the mid-1990's. Fans voted on how various confrontations would turn out (Superman vs. Hulk, Batman vs. Captain America, and so on, and so forth), but the unwieldy machinery of the plot makes the various battles an afterthought. The book huffs and puffs to get the two universes together. Frankly, the 'crossover Earth' of earlier DC/Marvel events was a lot less unwieldy and had the added advantage of explaining why so few DC superheroes live in New York (because that's where the lion's share of Marvel superheroes live!).

The secondary miniseries spawned by this crossover -- The Amalgam Age of Comics, in which various heroes and villains were 'amalmagated' into new configurations (Captain America + Superman = Super-Soldier; Batman + Wolverine = Dark Claw) -- was a lot more interesting than the main event. Kurt Busiek and George Perez would later do this sort of epic mishmash a whole lot better in JLA/Avengers. For completists only, though the combination of Garcia Lopez on pencils and Nowlan on inks on Dr. Strangefate is surprisingly lovely: those two should team up a lot more often. Not recommended.

Legion

Comics:
Legion of Superheroes: An Eye for an Eye, written by Paul Levitz with Keith Giffen, illustrated by Keith Giffen, Steve Lightle and Larry Mahlstedt (1984-85; collected 2008): The Legion of Superheroes (LSH) were (and are) a thirtieth-century group of super-powered teenagers from a broad assortment of planets who made their debut in a Superboy story in Adventure Comics in the late 1950's.

When DC Comics reorganized its multiverse of superheroic Earths into a single universe during and after the Crisis crossover event, no major DC title suffered more than the Legion of Superheroes (LSH). Why? Primarily because Superman had no longer been Superboy as a teenager, and Supergirl simply never existed. As Superboy joined the LSH in their very first appearance and appeared in most of their major adventures, this presented something of a problem, as did the elimination of Supergirl from continuity.

This book collects the first six issues of the LSH's first 'direct-only' title, which premiered in 1984 as a result of the LSH reaching new heights of popularity under Paul Levitz, Keith Giffen and LSH uber-inker Larry Mahlstedt. The newsstand LSH title, in existence for more than a decade, ran new stories during the first year of the new title's existence before switching over to reprints of the direct title. In the direct title, things started off with a five-issue storyline pitting the LSH against its opposite number, the Legion of Supervillains. It's probably the second-best multiissue 'epic' storyline of the entire Levitz/Giffen era of the LSH, trailing only the 'Great Darkness Saga' in my estimation. Superheroics abound, along with nice bits of characterization and a couple of truly iconic LSH covers.

One of the fundamental weirdnesses of the Legion books of this time is that Giffen, whose popularity as an artist helped make the LSH a candidate for the direct/newsstand experiment, would leave the book as full artist by issue 3 and as designer/plotter/consultant a few issues later, though he would return a few years down the road. Young artist Steve Lightle stepped in and soon proved to be an able replacement, but it really does seem at times that what was supposed to happen with the direct book never quite happened. The Crisis, and a late 1980's shift towards 'grim and gritty' superheroes, were both coming, and neither would benefit the Legion. Years of retcons and reboots would follow -- indeed, until this day -- to deal with the issues arising from Superboy and Supergirl's elimination from continuity and much-later restoration.

At the time of this book, though, these things were still the future. I do wish DC had started this (relatively) new reprint series at the dawn of the first Levitz/Giffen era, though, and not at its twilight. That was when I first started collecting LSH, so I'm biased, but I'd also say that the whole run -- including this volume, which really acts as a 'conclusion' for that great collaboration -- represents, along with late 1970's/early 1980's Claremont/Byrne X-Men and the (mostly) contemporaneous Wolfman/Perez Teen Titans, the peak of superhero teams for the entire decade, and maybe for the entire history of that sub-sub-genre. Highly recommended.



Legion of Superheroes: The More Things Change, written by Paul Levitz, illustrated by Keith Giffen, Steve Lightle, Ernie Colon, Mike Machlan, Mike DeCarlo and Larry Mahlstedt (1985; collected 2008): The second reprint collection of the LSH direct-only title is a bit more low-key than the first, primarily because it consists of standalone and two-part stories and not a multi-issue epic. Standouts include the revelation of where the menacing Sun-Eater came from, and LSH member Timber Wolf's mission to fulfill the last wishes of deceased Legion member Karate Kid (who predated the Ralph Macchio character by about twenty years).

Superboy also makes what I believe is his last (or possibly second-last) appearance in 'classic' Legion continuity prior to the Crisis and John Byrne's Man of Steel Superman reboot, which would change him from a young Superman to the inhabitant of a pocket universe created by one of the Legion's oldest and most dangerous foes in an attempt to create a super-powered nemesis for the Legion. It's all now a lot like reading the end of an era that no one knew was the end of an era at the time -- enjoyable but slightly sad. Highly recommended.