Marvel Visionaries: Thor: Mike Deodato: written by Warren Ellis and William Messner-Loebs; illustrated by Mike Deodato and others (1996-97; collected 2004): Thor's insane new costume on the cover of this volume would tell some people that this collection comes from the post-Image era of the mid-1990's, when DC and Marvel sought to emulate the success of that upstart company.
In part, this came with the redesign of certain costumes to make them look more like the flowing, chain-heavy costume of Spawn, Image's most popular hero. Except Spawn didn't have a bare midriff. It's like Spawn on Casual Fridays!
However, that costume's only appearance in this volume -- which omits several issues of Deodato's run on Thor -- comes on that cover. Thor is pretty much either shirtless or in another ugly non-traditional costume for the volume. That costume bares a lot of previously unbared Asgardian skin as well and is surpassingly ugly. Apparently, Thor was seeing the Submariner's tailor at this point in Marvel history.
The art is nice in that fetishistic, overstuffed 90's way. Deodato's Thor is so broad in the torso as to appear grotesque at times, while longtime Thor foe (and here lover) the Enchantress now sports a wasp waist and boobs bigger than her head. Warren Ellis writing Thor is, frankly, a pretty weird thing. His storyline, involving somebody somewhere corrupting the World Tree as a means of destroying both Asgard and Earth and ushering in a post-Ragnarok utopia, is at once interesting and weirdly off-key, with a rushed anti-climax of an ending.
Messner-Loebs cleans some of that up in the issues collected here, which led into the cancellation of Thor as part of the Onslaught event and the subsequent brief disaster called Heroes Reborn. Thor would be back in the normal Marvel universe eventually. As with a lot of Marvel collections, the selection seems a bit thin -- why not collect all of Deodato's run? Oh, well. Not recommended unless you're a Deodato completist.
Showing posts with label the mighty thor. Show all posts
Showing posts with label the mighty thor. Show all posts
Tuesday, May 15, 2012
Friday, May 11, 2012
Dead Sert
Thor: Death of Odin: written by Dan Jurgens; illustrated by Stuart Immonen, Jim Starlin, and others (2001; collected 2008): Dan Jurgens and Stuart Immonen were longtime members of the Superman family of comics creators over at DC in the 1990's. Their take on Thor is definitely Supermanesque, with the God of Thunder having secret identity problems galore.
Oh, and he also gets a self-styled 'cousin' who wears a distaff version of his costume and hammer and calls herself Thor Girl. She's actually a shape-changing energy being, though that, too, has its antecedent in 1980's Superman mythology and its bizarrely rebooted Supergirl/Matrix.
It all makes for light, mostly enjoyable superhero stuff. Odin is his usual pontificating, dopey self (a tradition continued from the Lee/Kirby Thor of the 1960's). Ragnarok/Gotterdammerung looms. The Muspelheimian fire giant Surtur again threatens the Earth. Thor is once again mortal for awhile as a punishment from Odin (a punishment which crops up metronomically every four years or so in the Thor comic book).
Much thee-ing and thou-ing occurs. A heavily inked Jim Starlin draws one issue. The Enchantress once again tries to get into Thor's pants. Hercules shows up for comic relief. Volstagg is still really fat. Dire future events are foretold should Thor become the ruler of Asgard. Balder and Sif have almost nothing to do. A new enemy from space threatens to kill off all the gods in the universe -- given that we're shown a bunch of awful, vindictive pantheons, I can't say this strikes me as a totally bad idea. But the climax of that storyline will come after this collection. Hidey ho. Lightly recommended.
Oh, and he also gets a self-styled 'cousin' who wears a distaff version of his costume and hammer and calls herself Thor Girl. She's actually a shape-changing energy being, though that, too, has its antecedent in 1980's Superman mythology and its bizarrely rebooted Supergirl/Matrix.
It all makes for light, mostly enjoyable superhero stuff. Odin is his usual pontificating, dopey self (a tradition continued from the Lee/Kirby Thor of the 1960's). Ragnarok/Gotterdammerung looms. The Muspelheimian fire giant Surtur again threatens the Earth. Thor is once again mortal for awhile as a punishment from Odin (a punishment which crops up metronomically every four years or so in the Thor comic book).
Much thee-ing and thou-ing occurs. A heavily inked Jim Starlin draws one issue. The Enchantress once again tries to get into Thor's pants. Hercules shows up for comic relief. Volstagg is still really fat. Dire future events are foretold should Thor become the ruler of Asgard. Balder and Sif have almost nothing to do. A new enemy from space threatens to kill off all the gods in the universe -- given that we're shown a bunch of awful, vindictive pantheons, I can't say this strikes me as a totally bad idea. But the climax of that storyline will come after this collection. Hidey ho. Lightly recommended.
Labels:
dan jurgens,
jack kirby,
odin,
stuart immonen,
surtur,
the mighty thor,
Thor
Northern Song
Thor Visionaries: Walt Simonson Volume 5: written by Walt Simonson; illustrated by Sal Buscema, Walt Simonson, and Joe Sinnott (1986-87; collected 2007): Simonson's five-year run ends in typically epic fashion, as a crippled Thor -- cursed by the death-god Hela with brittle bones and an inability to die -- faces enemies that include the Frost Giants, his eternally evil step-brother Loki, Grendel (mostly recovered from the whole lost arm thing), the Destroyer, Fin Fang Foom, and the Midgard Serpent.
The last enemy is possibly the most dangerous. Norse mythology has it that the Serpent and Thor battle to mutual destruction at the end of the universe. However, emboldened by the news that Thor can no longer die but is also gradually being reduced to a bowl of jello by also being unable to heal, the Serpent decides to start Gotterdammerung early.
Once the reduced Thor is stuck eternally in his belly, the Serpent believes that it will have free rein to do whatever it wants. The exciting battle between the two comes in an issue illustrated entirely in one- and two-page spreads, supplemented with running commentary from Norse mythology.
Simonson's swan song is a fun one -- yes, his run goes on for two more issues after Thor's devastating battle with the serpent, and there are more epic battles before the end. Simonson actually figures out how to make the robotic, previously mindless Destroyer interesting, something no one had really ever been able to do. Recommended.
The last enemy is possibly the most dangerous. Norse mythology has it that the Serpent and Thor battle to mutual destruction at the end of the universe. However, emboldened by the news that Thor can no longer die but is also gradually being reduced to a bowl of jello by also being unable to heal, the Serpent decides to start Gotterdammerung early.
Once the reduced Thor is stuck eternally in his belly, the Serpent believes that it will have free rein to do whatever it wants. The exciting battle between the two comes in an issue illustrated entirely in one- and two-page spreads, supplemented with running commentary from Norse mythology.
Simonson's swan song is a fun one -- yes, his run goes on for two more issues after Thor's devastating battle with the serpent, and there are more epic battles before the end. Simonson actually figures out how to make the robotic, previously mindless Destroyer interesting, something no one had really ever been able to do. Recommended.
Labels:
1987,
destroyer,
jack kirby,
loki,
midgard,
midgard serpent,
sal buscema,
the mighty thor,
Thor,
walt simonson
Monday, April 23, 2012
Falstaff in Comicbookland
Thor Visionaries Walt Simonson Volume 4: written by Walt Simonson; illustrated by Walt Simonson and Sal Buscema (1986; collected 2004): The fourth collection of Walt Simonson's 1980's run on Marvel's The Mighty Thor marks sort of a slight pause before the last major arc gets fully underway. Norse death-god Hela's curse on Thor would supply the impetus for the final ten-issue arc, and she does curse the Thunder God herein, but most of the collection is concerned with other things.
One of those things is the Simonson/Sal Buscema four-issue Balder the Brave miniseries, part of which takes place during events chronicled in the previous Visionaries volume. It's a pretty entertaining adventure for the Norse sun-god, while also setting up events and situations that lead back into the regular series.
Meanwhile, in the other four issues collected here, Thor teams up with Simonson's homage to Judge Dredd, Judge Peace (who would later appear during Simonson's run on Fantastic Four), to battle two old Thor enemies to save an even older supporting cast member. Most of two other issues tie directly into the line-spanning Mutant Massacre X-Men storyline.
One of Simonson's more endearing side-projects -- his fleshing out of the fleshy, comic-relief Norse god Volstagg -- also proceeds here. Sal Buscema's pencils continue to impress here. He's no Simonson, but the art remains solid and professional throughout, with some unexpected flourishes at points. Recommended.
One of those things is the Simonson/Sal Buscema four-issue Balder the Brave miniseries, part of which takes place during events chronicled in the previous Visionaries volume. It's a pretty entertaining adventure for the Norse sun-god, while also setting up events and situations that lead back into the regular series.
Meanwhile, in the other four issues collected here, Thor teams up with Simonson's homage to Judge Dredd, Judge Peace (who would later appear during Simonson's run on Fantastic Four), to battle two old Thor enemies to save an even older supporting cast member. Most of two other issues tie directly into the line-spanning Mutant Massacre X-Men storyline.
One of Simonson's more endearing side-projects -- his fleshing out of the fleshy, comic-relief Norse god Volstagg -- also proceeds here. Sal Buscema's pencils continue to impress here. He's no Simonson, but the art remains solid and professional throughout, with some unexpected flourishes at points. Recommended.
Thunderfrog
Thor Visionaries Walt Simonson Volume 3: written by Walt Simonson; illustrated by Walt Simonson and Sal Buscema (1986; collected 2004): Walt Simonson's great 1980's run on The Mighty Thor continues here, with Simonson relinquishing the artistic reins to Marvel veteran Sal Buscema towards the end of this collection. Asgard's succession crisis (Odin remains lost in battle with the Fire-Giant Surtur) supplies the overall arc here, as Loki schemes to become ruler of Asgard.
Simonson's gift for light fantasy comes to the forefront in three issues about Thor's transformation into, um, a frog. Loki's magic, supercharged by Surtur's abandoned sword, changes Thor into a frog to keep the Thunder God away from Asgard. But what a frog! The Thunderfrog has charming adventures with talking frogs, rats, and alligators in Central Park before we return to the crisis in Asgard.
Sal Buscema does a nice job of adapting his art to resemble Simonson's without sacrificing his own strengths -- he really was a solid pro. Thor mopes around a bit -- this was the 1980's, after all -- but Simonson keeps moving the book away from angst into something much more Kirbyesque in its sometimes bizarre mix of myth and science fiction and superheroics.
At times, the dialogue seems like a prototype for how Joss Whedon would approach fantasy ten years later on Buffy the Vampire Slayer, an oddball mix of portent, contemporary idiom, bombast, and bombast-deflating insight. Recommended.
Simonson's gift for light fantasy comes to the forefront in three issues about Thor's transformation into, um, a frog. Loki's magic, supercharged by Surtur's abandoned sword, changes Thor into a frog to keep the Thunder God away from Asgard. But what a frog! The Thunderfrog has charming adventures with talking frogs, rats, and alligators in Central Park before we return to the crisis in Asgard.
Sal Buscema does a nice job of adapting his art to resemble Simonson's without sacrificing his own strengths -- he really was a solid pro. Thor mopes around a bit -- this was the 1980's, after all -- but Simonson keeps moving the book away from angst into something much more Kirbyesque in its sometimes bizarre mix of myth and science fiction and superheroics.
At times, the dialogue seems like a prototype for how Joss Whedon would approach fantasy ten years later on Buffy the Vampire Slayer, an oddball mix of portent, contemporary idiom, bombast, and bombast-deflating insight. Recommended.
Labels:
1985,
1986,
asgard,
buffy the vampire slayer,
frogs,
joss whedon,
loki,
sal buscema,
the mighty thor,
Thor,
walt simonson
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