The Jugger by Richard Stark

The Jugger (Parker #6) (1965) by Donald Westlake writing as Richard Stark: For once, Parker isn't planning a heist but rather trying to find out why a retired 'jugger' (slang for 'bank robber,' though the character in question is a safe-cracker by trade) has written him asking for help. Parker really, really isn't someone one asks for help. 

But when Parker arrives to find out what's going on -- and whether this retired, occasional partner in crime represents a threat to Parker's hard-won anonymity -- the man in question is already dead. 

The local police chief starts following Parker almost immediately, and another thief is already in town. Why has a safe-cracker who's been retired for five years suddenly the focus of all this attention? Well, there's the novel. 

The Jugger plays more like a mystery than most Parker novels, with Parker as the reluctant detective. The small-town, Midwestern police chief plays a lot like something from a Jim Thompson novel like Pop. 1280, corrupt and scheming. But getting one over on Parker is a very, very difficult thing to do. 

But Parker novels are also lessons in how even the most competent of men may be at least partially undone by unforeseeable circumstance. The trick is knowing when to walk away. Highly recommended.

The Score (aka Killtown) (1964) by Donald Westlake

The Score (aka Killtown) (1964) by Donald Westlake writing as Richard Stark: A typically terse, concise, matter-of-fact entry in Donald Westlake's series of novels featuring super-thief/burglar Parker. Westlake wrote them as 'Richard Stark' in order to avoid flooding the early 1960's market for Donald Westlake. Lee Marvin, Jason Statham, and Mel Gibson have played the amoral, hyper-efficient Parker in movies, to varying effect (Marvin was clearly the best, in the John-Boorman-directed Point Blank (1967). 

The scheme this time is fascinating and clever, and, as always, complications and double-crosses come into play before the 'caper' is over. Though 'caper' is far too jolly a word for anything in a Parker novel. So call it a heist. Grofield, a slightly more amusing Westlake character, is a member of the team in this one. Highly recommended.

Catching Up

Lemons Never Lie by Richard Stark (pen-name of Donald E. Westlake) (1971): Alan Grofield, occasional co-thief with Westlake/Stark's anti-hero Parker, gets one of his own adventures here, an often grim series of events clumsily but murderously orchestrated by a sociopathic heist planner with no idea how to successfully set up a big heist. Grofield, who needs money for his summer theatre company (!), turns down the seemingly incompetent Myers' offer to join his gang for a brewery heist, thus setting off a country-hopping series of criminal events. Details of the planning and execution of a competent heist not involving Myers are especially fascinating. Recommended.

Neighbors: written by Andrew J. Cohen and Brendan O'Brien; directed by Nicholas Stoller; starring Seth Rogen (Mac Radner), Rose Byrne (Kelly Radner), Zac Efron (Teddy Sanders) and Dave Franco (Pete) (2014): Amusing, raunchy tale of a battle between a fraternity run by Zac Efron and young couple Rose Byrne and Seth Rogen, who've just had a baby and now face the horrors of having a frat move in next to them. Could be sharper, but it passes the time. Lightly recommended.

The Giver: adapted from the novel by Lois Lowry by Michael Mitnick and Robert B. Weide; directed by Philip Noyce; starring Brenton Thwaites (Jonas), Odeya Rush (Fiona), Cameron Monaghan (Asher), Jeff Bridges (The Giver), Meryl Streep (Chief Elder), Katie Holmes (Mother), and Alexander Skarsgard (Father) (2014): Film adaptation plays fairly freely with Lowry's award-winning novel, but nonetheless remains a fairly enjoyable tale of a future dystopia. Jeff Bridges is solid as usual as the literal keeper of memories for a post-apocalyptic society which carefully regulates emotions and emotional attachments. Recommended.

The Superman Chronicles Volume 8: written by Jerry Siegel; illustrated by Joe Shuster, Fred Ray, Leo Nowak, Jack Sikela, Ed Dobrotka, Paul Cassidy, and others (1941-42; this collection 2010): Superman battles an unfrozen caveman and an electrically super-charged Lex Luthor in this volume of his early adventures. Jerry Siegel's interest in science-fiction tropes also manifests in a battle between the Man of Steel and an army of evil mermen, a ray that can age or de-age people, and the electricity-wielding threat of the Lightning Master. Stories written just before the United States entered World War Two feature the Man of Tomorrow battling saboteurs from Napkan (a thinly veiled Japan) and defeating the forces of aggressive European country Oxnalia (an even more thinly veiled Nazi Germany, complete with an Adolf Hitler lookalike as leader). Recommended.

Time Wasters and Time Abysses

Horror Express: written by Arnaud d'Usseau and Julian Zimet; directed by Gene Martin; starring Christopher Lee (Saxton), Peter Cushing (Wells), and Telly Savalas (Captain Kazan) (1972): Highly enjoyable 1970's Italian horror film in which those two Hammer Studios horror greats, Peter Cushing and Christopher Lee, get to fight on the same side for once.
Lee plays a British archaeologist of the early 20th century who unearths the body of a strange hominid from a Chinese cave and then bundles it up and puts it on the Trans-Siberian Express so as to get it home to study. Cushing plays a rival scientist who's curious about what exactly is in the crate Lee has in baggage. Needless to say, bad things start happening.

Lee and Cushing are both excellent as reluctant science heroes, as is much of the international supporting cast. Telly Savalas (!!!) shows up near the end to chew all the available scenery as a power-hungry Cossack officer. There's some real tension and horror here, effective special effects and make-up, and a loopy scientific explanation for things that fits right in with some of the loopy pseudo-science of the late 19th and early 20th centuries. One supporting character seems to be based on the infamous Rasputin. Recommended.

Parker: based on the character created by Donald Westlake and the novel Flashfire; written by John J. McLaughlin; starring Jason Statham (Parker), Jennifer Lopez (Leslie Rodgers), Michael Chiklis (Melander), and Nick Nolte (Hurley) (2013): Mediocre time-waster does no favours to Donald Westlake's super-thief Parker. The two heists are handled so perfunctorily here that all of the joys of a good heist movie are neglected, probably because the film-makers wanted Statham to kick ass, which is really his strength as an actor. His weakness as an actor is playing anyone other than kick-ass Jason Statham. There's not a moment here in which he seems believable as a master thief. A section in which Parker pretends to have a Texas drawl while wearing a giant cowboy hat seems like something out of SCTV's 3-D Midnight Cowboy.

The film-makers waste Michael Chiklis, Bobby Cannavale, Wendell Pierce, and Nick Nolte in supporting roles, while Jennifer Lopez is game but far too well-coiffed and well-ornamented to be plausible as a desperate real estate agent with severe cash-flow issues. Perhaps worst of all for a heist film, it drags. Not recommended.