Some of Spenser's defining traits are already in evidence, though muted compared to even a couple of books later in publication. He's a good cook, and cooking will get described in detail that suggests at points that Parker was a frustrated cookbook writer. He's sarcastic, so sarcastic that some scenes strain credibility. He loves quoting literature. He can beat up almost anyone. And he's a sexy beast.
My personal rating of hardboiled detective series seems to now revolve around just how much of wish-fulfillment character the protagonist seems to be, as much for the writer as the reader. The more wish-fulfilly a PI, the less interesting I find the series. And after this first adventure, Spenser was about to become way more wish-fulfilly. It doesn't help that the mystery isn't that mysterious. Lightly recommended.
God Save the Child (Spenser #2) (1974) by Robert B. Parker: The Spenser series begins to shift into some serious wish-fulfillment territory, along with some jarringly creepy stuff involving a gay body-builder having a sexual relationship with a teenager who's way below the age of consent. This doesn't seem to particularly irritate or offend Spenser. Ah, those carefree days of the 1970's!
Spenser's investigation of the disappearance of that teenager once again seems to be peculiarly non-mysterious, even with the 11th-hour introduction of a sex ring (also involving underage teenagers!) into the narrative. Spenser's long-time gal-pal Susan Silverman appears for the first time, giving Spenser his own wish-fulfillment figure. And someone to cook for, in detail. Not recommended.
There is a lot of relatively enlightened talk about feminism and what seems like half a novel devoted to Spenser's relationship with Susan Silverman. Spenser explains how to cook and drinks enough booze to make one wonder why he's still able to function as a PI in his late 30's. Well, really everyone drinks an extraordinary amount and eats a lot of seafood and the occasional spaghetti dinner.
Parker's attention to minute detail as to what people wear makes for a lot of hilarity in these 1970's novels. In today's terms, an awful lot of characters are dressed like garish clowns. So when Spenser himself reacts to one character's choice of clothing as being odd (a white-leather cloak with a hood), one notes that hey, that's actually the most normal-for-now outfit anyone has worn in any of these three early novels!
The mystery is again perfunctory, while not one but two climactic set-pieces occur almost entirely without tension. Spenser's eventual pal/occasional partner Hawk (played by Avery Brooks in the 1980's Spenser TV series starring Robert Urich) makes his first substantial appearance in the series in this, the fourth Spenser novel. He's sort of cool. The novel, not so much. Not recommended.
