Showing posts with label richard price. Show all posts
Showing posts with label richard price. Show all posts

Friday, December 28, 2018

Freedomland (1998) by Richard Price

Freedomland (1998) by Richard Price: A critical and commercial hit in 1998, Freedomland has lost none of its sting in the intervening decades. 

Maybe it's more relevant now in The Age of Trump than ever, dealing as it does with America's deep-seated racial divisions and unequal treatment at the hands of the law, media simplification of tragic events, knee-jerk bigotry, the politics of policing, and so many other 'Hot-button' topics.

A white woman stumbles into a hospital in New Jersey claiming to have been carjacked by an African-American man at the very border between the 'white' and 'black' sections of the New Jersey city. And her 4-year-old son was in the car.

What follows is more than 700 pages of tense, mournful, and sardonic prose. It's a thriller that takes its time drawing its characters and situations, its places and racial strife. That 700 pages covers just about 4 days of events.

It's all rendered in third-person narration that alternates its focus between Housing Project police officer Lorenzo Council and ambitious reporter Jesse Haus. The mother, Brenda Martin, is a major character as well -- really THE major character -- but she's observed entirely from without by Council and Haus.

This is the sort of big, ambitious, intimately epic popular novel that often out-survives and out-performs far more self-consciously 'literary' works. It's heart-rending though sometimes hopeful. Price, a screenwriter as well as a novelist, is a great writer of dialogue and of pungent, slyly metaphorical description. 

Freedomland is, quite simply, a Great American Novel, one that entertains and instructs in the way only the best Art does. Highly recommended.

Thursday, August 3, 2017

Price and Nesbo, White and Red All Over

The Whites (2015) by Richard Price: Richard Price's newest crime novel is a delight from start to finish, a pungent look at police and criminals and New York City. Our protagonist is Billy Graves, a Manhattan night-shift detective whose past as a member of a group of patrol cops who called themselves the Wild Geese may finally be catching up with him.

Billy is a flawed, wounded, introspective protagonist. He's also a very good detective who finds himself in two parallel situations that may not be so parallel. Someone seems to be stalking Billy and his family in pursuit of vengeance for some unknown wrong. And the lives of perpetrators investigated by Billy and his former Wild Geese are being snuffed out -- these perpetrators were never convicted for their crimes and are thus known to Billy and company by the slang term 'Whites.'

Price deftly draws the characters and their relationships, presents cop life in all it sordid details, and presents page after page of note-perfect dialogue. It's the sort of novel that someone who loved The Wire would love. Highly recommended.


The Redbreast (2000/ Harry Hole#3-Oslo Trilogy#1) by Jo Nesbo, translated into English by Don Bartlett: The Nazi Occupation of Norway supplies the back-story for this, the third of Jo Nesbo's detective-thrillers about Norwegian police officer Harry Hole and the first of the 'Oslo trilogy'-within-a-series. Harry gets caught up in trying to track down an assassin who was one of the Norwegians who fought alongside the Nazis during the Siege of Leningrad during World War Two.

Harry is on pretty good behaviour in this novel as he fights his demons (alcoholic and otherwise). Section dealing with the Norwegian collaborators of World War Two and the war's aftermath fascinated me -- it's not an area of history I knew anything about beyond the name 'Quisling.' The depiction of Harry's detective work is also top-notch. Norway itself fascinates, in the past and present, in Nesbo's depiction of Neo-Nazis and apologists and unctuous civil servants and historians and many others. Recommended.