Ten Tales Calculated to Give you Shudders (1972): edited by Ross Olney containing the following stories: Sweets to the Sweet (1947) by Robert Bloch; The Waxwork (1931) by A. M. Burrage; Used Car (1932) by H. Russell Wakefield; The Inexperienced Ghost (1896) by H. G. Wells; The Whistling Room (1910) by William Hope Hodgson; The Last Drive (1933) by Carl Jacobi; The Monkey's Paw (1902) by W. W. Jacobs; Second Night Out (1933) by Frank Belknap Long; The Hills Beyond Furcy (1966) by Robert G. Anderson; and Floral Tribute (1949) by Robert Bloch.
This little reprint anthology was a staple of my childhood, and probably the childhood of a lot of other Americans and Canadians, given that it was a Whitman book for older kids, or 'Young Adults' as the publishing industry now names them.
And it's a very good ten-story assortment, though the inclusion of two Robert Bloch stories, the second one a bit of Bradburyian supernatural nostalgia that won't make anyone shudder, seems odd. Maybe Olney and Bloch were buddies. Other than that oddity, the selection can stand beside that of pretty much any decades-spanning anthology I can think of. It's certainly still relevant today. I wonder if Wakefield's story is the first haunted used-car story? Recommended.
Scars and Other Distinguishing Marks (1987) by Richard Christian Matheson containing the following stories: Third Wind; The Good Always Comes Back; Sentences; Unknown Drives; Timed Exposure; Obsolete; Red; Beholder; Dead End; Commuters; Graduation; Conversation Piece; Echoes; Incorporation; Hell; Break-Up; Mr. Right; Cancelled; Mugger; The Dark Ones; Holiday; Vampire; Intruder; Dust; Goosebumps; Mobius; Where There's a Will; and Magic Saturday.
Horror and fantasy great Richard Matheson's son Richard Christian Matheson is no slouch either, having carved out a prominent career for himself in television, movies, and short stories by the time he was 30.
Scars and Other Distinguishing Marks is the younger Matheson's first collection of short stories (and one teleplay for Amazing Stories). As he pretty much specialized in very short stories, there's quite a range of stories included here, with supernatural horror, realistic horror, science fiction, and gentle whimsy all showing up. And one disturbing narrative that doubles as a poem ("Vampire").
The impact of such short stories requires a certain type of writer: terse and concise in his style, imaginative and unusual in the subjects he deals with and the POV he uses to view those subjects. Matheson is astonishingly good at these things at a very young age, an engaging mutation from the schools of O. Henry and Dennis Etchison (who provides one of the two glowing-with-praise forewords, the other coming from a similarly enthusiastic Stephen King). Recommended.
Showing posts with label richard christian matheson. Show all posts
Showing posts with label richard christian matheson. Show all posts
Friday, September 27, 2013
Monday, March 19, 2012
Haunted
Dark Delicacies III: Haunted: edited by Jeff Gelb and Del Howison (2009) containing the following stories:
"Though Thy Lips Are Pale" by Maria Alexander
A Haunting by John Connolly
A Nasty Way to Go by Ardath Mayhar
And So with Cries by Clive Barker
Children of the Vortex by Simon Clark
Church Services by Kevin J. Anderson
Do Sunflowers Have a Fragrance? by Del James
Fetch by Chuck Palahniuk
Food of the Gods by Simon R. Green
How to Edit by Richard Christian Matheson
In the Mix by Eric Red
Man with a Canvas Bag by Gary A. Braunbeck
Mist on the Bayou by Heather Graham
One Last Bother by Del Howison
Resurrection Man by Axelle Carolyn
Starlets & Spaceboys by Joseph V. Hartlaub
The Architecture of Snow by David Morrell
The Flinch by Michael Boatman
The Slow Haunting by John R. Little
The Wandering Unholy by Victor Salva
Tyler's Third Act by Mick Garris
Fairly solid original anthology from editors Gelb and Howison, with a number of stories by writers and directors better known for their Hollywood work.
Mick Garris, who's directed about half of all Stephen King adaptations (with King's blessing -- Garris seems to be King's director and occasional screenwriter of choice), offers a caustic piece about the new realities of television and the Internet as seen by a screenwriter who's rapidly circling the drain; Eric Red, another prolific screenwriter, takes on the music industry instead.
The prolific Canadian-born and bred novelist David Morrell (forever to be blurbed as "the creator of Rambo") gives the reader the most original riff on the Haunted theme in a story that touches on the new realities of publishing and a celebrated, reclusive writer who resembles J.D. Salinger.
More traditional supernatural horrors are nicely rendered in "The Wandering Unholy" (Nazis vs. Something Awful). "Starlets & Spaceboys" is a lovely little zinger, as are the bioengineered terrors of Simon Clark's "Children of the Vortex." And Richard Christian Matheson, who's successfully straddled the worlds of print and screen horror for decades (much like his father, Richard Matheson), presents a horror-story about obsessive editing. Recommended.
"Though Thy Lips Are Pale" by Maria Alexander
A Haunting by John Connolly
A Nasty Way to Go by Ardath Mayhar
And So with Cries by Clive Barker
Children of the Vortex by Simon Clark
Church Services by Kevin J. Anderson
Do Sunflowers Have a Fragrance? by Del James
Fetch by Chuck Palahniuk
Food of the Gods by Simon R. Green
How to Edit by Richard Christian Matheson
In the Mix by Eric Red
Man with a Canvas Bag by Gary A. Braunbeck
Mist on the Bayou by Heather Graham
One Last Bother by Del Howison
Resurrection Man by Axelle Carolyn
Starlets & Spaceboys by Joseph V. Hartlaub
The Architecture of Snow by David Morrell
The Flinch by Michael Boatman
The Slow Haunting by John R. Little
The Wandering Unholy by Victor Salva
Tyler's Third Act by Mick Garris
Fairly solid original anthology from editors Gelb and Howison, with a number of stories by writers and directors better known for their Hollywood work.
Mick Garris, who's directed about half of all Stephen King adaptations (with King's blessing -- Garris seems to be King's director and occasional screenwriter of choice), offers a caustic piece about the new realities of television and the Internet as seen by a screenwriter who's rapidly circling the drain; Eric Red, another prolific screenwriter, takes on the music industry instead.
The prolific Canadian-born and bred novelist David Morrell (forever to be blurbed as "the creator of Rambo") gives the reader the most original riff on the Haunted theme in a story that touches on the new realities of publishing and a celebrated, reclusive writer who resembles J.D. Salinger.
More traditional supernatural horrors are nicely rendered in "The Wandering Unholy" (Nazis vs. Something Awful). "Starlets & Spaceboys" is a lovely little zinger, as are the bioengineered terrors of Simon Clark's "Children of the Vortex." And Richard Christian Matheson, who's successfully straddled the worlds of print and screen horror for decades (much like his father, Richard Matheson), presents a horror-story about obsessive editing. Recommended.
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