Showing posts with label rachel weisz. Show all posts
Showing posts with label rachel weisz. Show all posts

Thursday, July 18, 2013

Popeye vs. the NSA

The Bourne Legacy: based on characters created by Robert Ludlum; written by Tony and Dan Gilroy; directed by Tony Gilroy; starring Jeremy Renner (Aaron Cross), Rachel Weisz (Dr. Marta Shearer), Edward Norton (Eric Byer), Scott Glenn (Ezra Kramer), Stacy Keach (Admiral Turso) and Joan Allen (Pam Landy) (2012): The Bourne Legacy could conceivably have been pitched as Captain America meets Three Days of the Condor. It's an enjoyable addition to the Bourne saga, and while Matt Damon is nowhere to be found, squinty-eyed Jeremy Renner, here a post-modern Popeye, convinces as another rogue super-spy on the run from the U.S. government.

Hey, forget that pitch. The super-spies of what could have been called the Bourne 2.0 program have been enhanced through genetic manipulation of brain and body. As Renner had suffered grievous brain damage as a soldier, his life will basically stop if he can't keep getting his meds -- or find a way to make the modifications permanent. It's Flowers for Algernon with car chases and parkour!

The Bourne movies are a mirror image to the James Bond movies, with the protagonists repeatedly battling their own spy agencies rather than enemies foreign and domestic. It certainly has suited our paranoid times for the last decade or so. Much of the danger in the Bourne movies arises from government agencies cleaning up their own messes, a repeatedly ruthless procedure that generally involves killing everybody expendable in a particular covert government program. Imagine if all civil servants had to face these sorts of cutbacks!

Acclaimed writer-director Tony Gilroy takes the reins here, and does a nice job of keeping a complicated plot moving. The supporting cast is solid, and Rachel Weisz is good as the geneticist Renner has to save in order to save himself before his stash runs out. Geez, it's a bit like a Cheech and Chong movie, too. Recommended.

Wednesday, June 13, 2012

Unreal Estate

Dream House: written by David Loucka; directed by Jim Sheridan; starring Daniel Craig (Will Atenton), Rachel Weisz (Libby), Naomi Watts (Ann Patterson), and Elias Koteas (Boyce) (2011): A talented director (Sheridan directed Daniel Day-Lewis in My Left Foot) and a solid cast result in a major stinker. Studio tampering fingerprints this production, though I'm not sure how much better the film would have been without interference. The grim lifelessness of many of the scenes doesn't seem to have anything to do with the whims of focus groups.

Daniel Craig quits his job and moves his family (a wife and two daughters) into a dream house in a small town. He's going to write a novel. But a family was murdered in that house, a fact the real-estate broker didn't tell Craig. The father apparently killed the mother and two girls but got shot in the head by the wife in the process, a head wound that put the father into a mental asylum for five years. But now the father's out, never convicted of the crime. And a mysterious watcher lurks outside the windows at night, scaring Craig's wife (Weisz) and children. A divorced neighbour (Watts) seems to know more than she's telling.

And then, 45 minutes in, the movie implodes with a twist that really needed a lot more build-up. The movie wanders off into the woods, bumping into trees. There's a half-hearted attempt at another twist in the final scene, though the scene is ambiguous enough to explain away as just another plot development and not another reversal.

You can at least add Dream House to that long list of films in which fire is only dangerous if it actually touches you, even when it surrounds you. These movies exist in a universe in which air doesn't transmit heat, and what a marvelous universe that would be.

Craig acts a lot like late-career Harrison Ford here, joyless and withdrawn. He looks like he's ready for a brawl with the key grip at any second. Watts's character seems to have had all her character-development scenes edited out of the movie: she's all plot device. Weisz is fine in a thankless role as a loving yet sexy wife. Sheridan pretty much disowned this film, and I can see why -- it's not even bad in an enjoyable way. It induces 80% boredom and 20% rage. Avoid! Not recommended.