The O.D.E.S.S.A. File: adapted by Kenneth Ross and George Markstein from the novel by Frederick Forsyth; directed by Ronald Neame; starring Jon Voight (Peter Miller), Maximilian Schell (Eduard Roschmann), Maria Schell (Frau Miller), Mary Tamm (Sigi), and Derek Jacobi (Klaus Wenzer) (1974): Enjoyable conspiracy thriller set in 1963-64 sees West German journalist Jon Voight on the trail of escaped Nazi war criminals. They're members of the SS who have been given new identities by the ODESSA organization, which is itself made up of SS members.
And unbeknownst to Voight, he's on the clock: a technology firm headed by one war criminal is about to deliver missile guidance systems to Egypt to use in missiles to destroy Israel. Voight and Mary Tamm (the first Romana on Doctor Who) are very good as the leads. Maximilian Schell really only has one big scene as (real) SS officer Eduard Roschmann, while Derek Jacobi is at his squirmy best as a conflicted associate of the ODESSA.
Simon Wiesenthal appears as himself to help Voight in his quest, which also gets aid from the Mossad, who've been trying to infiltrate ODESSA for decades. This is an old-school 1970's style conspiracy thriller -- the ODESSA have infiltrated ever facet of West German government and business -- complete with a journalist hero who rapidly becomes a very competent action hero once he hears the call of duty. Recommended.
Showing posts with label mossad. Show all posts
Showing posts with label mossad. Show all posts
Sunday, August 11, 2013
War Crimes
Labels:
Frederick forsyth,
israel,
jon voight,
maximilian schell,
mossad,
nazis,
Odessa,
ss,
the Odessa file
Tuesday, June 26, 2012
Necessary Assassinations
The Debt, written by Matthew Vaughn, Jane Goldman, and Peter Straughan; based on the Israeli film Ha-Hov, written by Assaf Bernstein and Ido Rosenblum; directed by John Madden; starring Helen Mirren & Jessica Chastain (Rachel 1997/Rachel 1966), Tom Wilkinson & Marton Csokas (Stephan 1997/Stephan 1966), Ciaran Hinds & Sam Worthington (David 1997/ David 1966), and Jesper Christensen (Dieter Vogel - The Surgeon of Birkenau) (2011): Tense little thriller with a big name cast, adapted from an Israeli film. In late 1965, a three-person Mossad team was dispatched to East Germany to locate and apprehend Nazi war criminal "The Surgeon of Birkenau" so that he may be tried for his war-time crimes in Israel.
In 1997, the daughter of Rachel, one of the three Mossad, writes a book about the now-legendary operation. Her mother doesn't seem too happy about, and neither do the other two former agents, one the daughter's father, the other a wanderer who has just returned to Israel after twenty years abroad. And then things start happening.
As much of the pleasure of the film lies in the revelations of what is and is not 'real,' it's difficult to summarize the plot any further. The workings of the kidnapping plan seem realistically byzantine and thus prone to failure at every turn; the actors in both eras do fine work (though Jessica Chastain really doesn't look at all like Helen Mirren); the ambience of Communist Berlin is suitably wormy and dilapidated and devoid of sunlight. When the team returns to Israel, they're greeted by a burst of sunlight as they exit their military plane. But the difference between Israel and Berlin is not that ethically clear-cut. Recommended.
In 1997, the daughter of Rachel, one of the three Mossad, writes a book about the now-legendary operation. Her mother doesn't seem too happy about, and neither do the other two former agents, one the daughter's father, the other a wanderer who has just returned to Israel after twenty years abroad. And then things start happening.
As much of the pleasure of the film lies in the revelations of what is and is not 'real,' it's difficult to summarize the plot any further. The workings of the kidnapping plan seem realistically byzantine and thus prone to failure at every turn; the actors in both eras do fine work (though Jessica Chastain really doesn't look at all like Helen Mirren); the ambience of Communist Berlin is suitably wormy and dilapidated and devoid of sunlight. When the team returns to Israel, they're greeted by a burst of sunlight as they exit their military plane. But the difference between Israel and Berlin is not that ethically clear-cut. Recommended.
Labels:
birkenau,
cold war,
east germany,
helen mirren,
israel,
jessica chastain,
mossad,
nazis,
the debt
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