Darkest Hour (2017): written by Anthony McCarten; directed by Joe Wright; starring Gary Oldman (Winston Churchill), Kristin Scott Thomas (Clemmie Churchill), Ben Mendelsohn (King George VI), Lily James (Elizabeth Layton), Ronald Pickup (Neville Chamberlain), and Stephen Dillane (Viscount Halifax):
Old-fashioned, talky history picture got Gary Oldman and a whole lot of make-up and prosthetics a Best Actor Oscar for playing Winston Churchill. The film takes place over the course of a few weeks in 1940 during which Churchill becomes Prime Minister and is immediately faced with the dilemma of fighting or making peace with Nazi Germany while Germany's forces route the Allies on the continent.
It's certainly rousing stuff of a certain type, historically inaccurate in certain pumped-up scenes of Yay Blighty. Oldman is excellent, or at least he's not recognizable as Gary Oldman much of the time, and the Academy loves that shit. One could literally start Dunkirk immediately after this movie ends and have an almost seamless four-hour movie from two different directors. Recommended.
A Brief History of Time (1992): written and directed by Errol Morris; starring Stephen Hawking and friends and family: Errol Morris' documentary weaves together the life of physicist Stephen Hawking with illustrations of his contributions to physics and the process of his thinking. It's enjoyable and informative, though I would have liked more physics. And maybe a couple less scenes from Disney's The Black Hole. Seriously. Recommended.
The Pure in Heart: Simon Serrailler Crime Novel #2 by Susan Hill (2005): Realistic in its depiction of a police search for a kidnapped child, often melodramatic and overly determined in its depiction of everything else: welcome to the world of Susan Hill's Detective-Chief-Inspector Simon Serrailler and the relatively small English cathedral town in which he works. This is an improvement on the first Serrailler novel, which featured an improbable serial killer doing unprecedented things for a serial killer and virtually no Simon Serrailler. Of course, more Simon Serrailler in this novel means more space to notice what a drip he is. Hill has labelled these novels 'crime novels' rather than mysteries or procedurals. That's mainly because the novels don't focus exclusively on the solving of a crime, but rather the effects of horrific events on everyone pulled into that crime. So if you like mysteries and family melodrama but don't like closure, this series may be for you. Lightly recommended.
The Unborn: written and directed by David Goyer; starring Odette Yustman (Casey), Gary Oldman (Rabbi Sendak), Cam Gigandet (Mark), Meagan Good (Romy), Idris Elba (Wyndham), and Jane Alexander (Sofi Kozma) (2009): Poor Odette Yustman has to spend the first half of this movie as a scantily clad victim who shows an awful lot of camel-toe in one scene. The cheesecake doesn't do the movie any favours. Writer-director David Goyer has actually fashioned a pretty interesting horror movie that uses Jewish legends to good effect. It also throws several startlingly distorted monsters at the viewer.
Yustman does a good job with an occasionally thankless role. The movie would probably have benefited from not air-lifting Gary Oldman and Idris Elba in to play surprisingly small parts that might have been better served by character actors (the more rumpled and lived-in the character actor, the better). Still, this is a surprisingly good modern horror movie, especially from a major studio. It would actually be better if it were about a quarter-hour longer, so long as those fifteen minutes were spent on plot and character and scares and not more camel-toe. Lightly recommended.
Tinker Tailor Soldier Spy: based on the novel by John LeCarre; adapted by Bridget O'Connor and Peter Straughan; directed by Tomas Alfredson; starring Gary Oldman (George Smiley), John Hurt (Control), Colin Firth (Bill Haydon), Tom Hardy (Ricki Tarr), Mark Strong (Jim Prideaux) and Benedict Cumberbatch (Peter Guillam) (2011): The BBC made a highly regarded 7-hour miniseries out of Tinker Tailor Soldier Spy in the late 1970's. Starring Alec Guinness, it went on to be a big hit on PBS as well.
Seven hours seems about right for a relatively lengthy LeCarre novel about the intricacies of Cold War espionage in the 1960's and 1970's. This two-hour adaptation seems more like something made on a dare.
Most of the plot is still here. The acting is fine across the board, especially as the actors have to do a lot of heavy lifting with relatively few lines -- Gary Oldman probably did deserve his Oscar nomination for following Guinness in one of Guinness's signature roles and not embarrassing himself. And the details of Cold War espionage are generally fascinating. But...
Two hours? There are a lot of characters here, and only Oldman's George Smiley approaches being more character than character sketch. The movie looks terrific (the director previously helmed the excellent Swedish vampire movie Let the Right One In), and the pacing is fine. But there's nothing and no one to care about here as a character one can feel much investment in. It's like a really high-toned adaptation of the Cliff's Notes for Tinker Tailor Soldier Spy. Lightly recommended.
Rocketeer Adventures 2: based on characters and situations created by Dave Stevens; written by Marc Guggenheim, Peter David, Stan Sakai, Walt Simonson, Tom Taylor, Paul Dini, David Lapham, Matt Wagner, Kyle Baker, Louise Simonson, David Mandel, and John Byrne; illustrated by Sandy Plunkett, Bill Sienkiewicz, Stan Sakai, Darwyn Cooke, Dave Stevens, John Paul Leon, Bill Morrison, Colin Wilson, Chris Sprouse, Karl Story, Eric Canete, Kyle Baker, Walt Simonson, Bob Wiacek, J. Bone, John Byrne, and others (2012): Fun anthology series of stories about The Rocketeer, the great 1930's pulp-comic-book character created in the early 1980's by the late Dave Stevens. Most of the entries here strike the right note of light-hearted adventure as we follow pilot Cliff Secord's trials and triumphs as rocket-pack-wearing hero The Rocketeer. Recommended.
Hitman Volume 6: For Tomorrow: written by Garth Ennis; illustrated by John McCrea, Gary Leach, and others (1999-2000; collected 2012): DC's renewed committment to collecting all of Ennis and McCrea's splendid late 1990's/early oughts comic-book series Hitman, about the adventures of super-powered gun-for-hire Tommy Monaghan, is a blessing. In this volume, more tragedy and high-octane violence hit Monaghan and his friends as Gotham City suffers through the end of the massive Batman: No Man's Land event.
Tommy has some good moments taking the piss out of a bunch of vampires last seen during Ennis's run on John Constantine: Hellblazer (like H.P. Lovecraft, Ennis thinks vampires are stupid, though he's a lot more fictionally pro-active in that stance than HPL ever was) and finally getting to see some real, honest-to-god dinosaurs. But Tommy's war with the Mob also takes it physical and emotional toll.
Penciller McCrea and most-of-the-time inker Garry Leach do a great job on the art as always, their violence stylized without being glossy or attractive, their characters cartoony when they need to be and fairly realistic when the story calls for such a thing. Hyperviolence was rarely this much fun. Only one more volume to go! Highly recommended.
