The Ghost Pirates and Others: The Best of William Hope Hodgson: edited by Jeremy Lassen (2012): containing the following stories:
The Ghost Pirates (1909): Brilliant short novel of the sea and its terrors is a fine, tightly plotted work of horror and disquieting weirdness. A careful, fairly slow build of suspense climaxes in a rapid-fire and horrifying climax. See full review here.
A Tropical Horror (1905): Monsters from the sea attack a sailing ship. Gruesome stuff.
The Sea Horses (1913): Bittersweet but overlong and a bit treacly modern folktale set at sea.
The Searcher of the End House (1910): One of the weaker Carnacki the Ghost-Finder stories seems an odd choice.
The Stone Ship (1914): More weird but pseudo-scientifically plausible events at sea. Really a nice little tale of mounting terror.
The Voice in the Night (1907): You'll know what movies have lifted the central premise of this horror story once you read it. Probably Hodgson's most-reprinted piece.
Eloi Eloi Lama Sabachthani (1919): Unusual tale set on land applies really, really odd pseudoscience to the events of Christ's crucifixion. The last few paragraphs are the most Machensque writing Hodgson ever did.
The Mystery of the Derelict (1907): Yet more weird but pseudo-scientifically plausible events at sea. Actually, remove the 'pseudo.' This could actually happen. Also one of Hodgson's tales of the Sargasso Sea.
We Two and Bully Dunkan (1914): Humourous tale of revenge on the high seas. Certainly shows Hodgson's range.
The Shamraken Homeward-Bounder (1908): Odd, almost fabulistic sea tale.
Demons of the Sea (1923): Monsters from the sea attack a sailing ship. A minor work.
Out of the Storm (1909): Strange, disturbing tale involving shipwrecks and telegraph signals.
Overall: Really more of a career survey than a 'Best of,' as some of the selections are dubious (well, "The Searcher of the End House," "Demons of the Sea," and "The Sea Horses"). Nevertheless, highly recommended.
Gaslight Grimoire: Fantastic Tales of Sherlock Holmes (2008) edited by Charles Prepolec and J.R. Campbell, containing the following stories:
The Lost Boy by Barbara Hambly; His Last Arrow by Christopher Sequeira; The Things That Shall Come Upon Them by Barbara Roden; The Finishing Stroke by M.J. Elliott; Sherlock Holmes in the Lost World by Martin Powell; The Grantchester Grimoire by Rick Kennett and Chico Kidd; The Steamship Friesland by Peter Calamai; The Entwined by J.R. Campbell; Merridew of Abominable Memory by Chris Roberson; Red Sunset by Bob Madison; and The Red Planet League by Kim Newman.
The first of Canada's EDGE Publishing's anthologies of weird Sherlock Holmes homages is fun, for the most part, with a few stand-outs. When putting Holmes into supernatural situations, writers tend to either make Holmes a stubborn denier, regardless of the evidence, or to make his detection ethos flexible enough to admit any possibility. Sometimes writers go even further, generally by reimagining Holmes as someone who's always been a believer in the supernatural.
The 'fantastic' herein involves a lot of stories that combine Holmes with other fictional or historical characters. Team-ups pair Holmes with Peter Pan ("The Lost Boy") , supernatural investigator Flaxman Low ("The Things That Shall Come Upon Them"), supernatural investigator Carnacki ("The Grantchester Grimoire") , and Arthur Conan Doyle's own Professor Challenger ("Sherlock Holmes in the Lost World"). Holmes also visits WW2-era Los Angeles to play a part in a horror/hard-boiled detective mash-up ("Red Sunset").
And it's a Holmes-homage tradition to have at least a couple of stories about cases briefly mentioned during Arthur Conan Doyle's original stories but never fully told. These references have always formed a sort of Black Casebook of Holmes adventures for later writers to imagine in their entirety. Here, "Merridew of Abominable Memory" and "The Steamship Friesland" develop these fleeting references of Doyle in unusual ways.
Finishing the anthology is Kim Newman's blackly comic, Holmes-and-Watson-less adventure of Professor Moriarty and his right-hand man Sebastian Moran. Newman riffs on H.G. Wells's The War of the Worlds, but probably not in the way one expects. In all, an enjoyable anthology. Recommended.
Gaslight Arcanum: Uncanny Tales of Sherlock Holmes (2011) edited by Charles Prepolec and J.R. Campbell, containing the following stories:
Sherlock Holmes and the Diving Bell by Simon Clark; The Greatest Mystery by Paul Kane; The Adventure of the Six Maledictions by Kim Newman; The Comfort of the Seine by Stephen Volk; The Adventure of Lucifer's Footprints by Christopher Fowler; The Deadly Sin of Sherlock Holmes by Tom English; The Color That Came To Chiswick by William Meikle; A Country Death by Simon Kurt Unsworth; From the Tree of Time by Fred Saberhagen (1982); The Executioner by Lawrence Connolly; Sherlock Holmes and the Great Game by Kevin Cockle; and The House of Blood by Tony Richards.
The third of EDGE Publishing's series of Weird Sherlock Holmes anthologies is solid and often deadly serious as these things go. The editors pay homage to one of Holmes's finest homagists, Fred Saberhagen, by reprinting a 1982 short story featuring Holmes and his distant ancestor and sometime-ally, Saberhagen's semi-heroic version of Dracula.
The rest of the anthology is new and, for the most part, ranges from enjoyable to excellent. Stand-outs include Stephen Volk's excellent chronicle of a young Sherlock Holmes in Paris, Simon Unsworth's horror story, and Kim Newman's comic adventure of Moriarty, Moran, and six dangerous supposedly magical items. Along the way, Holmes will also visit modern-day Las Vegas, hang out with Frankenstein's Creature, and battle Lovecraftian horror and Death itself. Recommended.
Carnacki the Ghost-finder: written by William Hope Hodgson, containing the following stories: "The Find", "The Gateway of the Monster", "The Haunted 'Jarvee', "The Hog", "The Horse of the Invisible", "The House Among the Laurels", "The Searcher of the End House", "The Thing Invisible" and "The Whistling Room" (1910-1947; Collected 1974):
One of the earliest recurring paranormal investigators in horror literature, Carnacki remains a delight today, a century after the stories were first written. William Hope Hodgson made him fallible and capable of fear, thus making him a much more interesting protagonist than Algernon Blackwood's nigh-omniscient John Silence or Seabury Quinn's hyper-competent Jules de Grandin.
Science, or at least the appearance of science, plays a big role in Carnacki's investigations. Behold the Electric Pentacle, proof against supernatural powers. Carnacki's theories on what certain supernatural entities actually are give the reader glimpses of the weird world Hodgson has created: the malign, eponymous monster of "The Hog" may look and sound like a giant hog when it manifests on Earth, but it's actually some sort of massive, gaseous enemy from space that's trying to force its way into our world. The cosmic gulfs are haunted by things much worse than ghosts.
There's much quoting from fictional magical texts, and references to the codified and catalogued powers with which Carnacki contends. It all seems about twenty years ahead of its time, Lovecraft before Lovecraft, but with happier outcomes and a more interventionary race of Good Cosmic Beings.
Carnacki tells these tales to a small circle of friends. He refers throughout to his own fears and mistakes, and to his own fallibility. Several of the stories deal with fake hauntings or with explicable events of the natural world which only seem like the supernatural. Throughout, Carnacki marshals science and magic to do his job. Really a fine series of stories. Highly recommended.
The Middle of Nowhere by David Gerrold (1995): David Gerrold wrote the beloved original Star Trek episode "The Trouble with Tribbles" and went on to become a writer of some note, periodically working with the Trek franchise again. This novel, the third of his Star Wolf books, originated as ideas for a new Trek during the development of Star Trek: The Next Generation.
Set hundreds of years in the future, The Middle of Nowhere tells us Gerrold's second story of the Star Wolf, a military 'liberty ship' of humanity's space fleet. Considered a 'Jonah' because of her inadvertant role in the devastating (for humanity) Battle of Marathon, the ship and her crew now race frantically to find a saboteur on-board so that they can join the fleet in its latest battle with the Morthan Authority.
The Morthans (More-than, get it?) are a genetically, biologically, and technologically engineered off-shoot of humanity that no longer consider themselves human. And they've decided to eradicate humanity. Not all Morthans are down with this plan -- the Star Wolf's security officer is a Morthan 'Tyger' named Brik. But enough are. Humanity may be doomed.
One of Gerrold's points in this and other Star Wolf novels is one that he also made in his non-fiction books on Star Trek. The probable distances involved in space combat should make the whole enterprise resemble submarine warfare. This makes for some tense combat scenes.
Portions of the book don't read like a novel so much as they read like technical sections from a 'Bible' for a TV show that never existed -- we learn an awful lot about the technology of the world of Star Wolf. I enjoyed these sections, but they may be tough, technobabble sledding for some. Recommended.
