The scheme this time is fascinating and clever, and, as always, complications and double-crosses come into play before the 'caper' is over. Though 'caper' is far too jolly a word for anything in a Parker novel. So call it a heist. Grofield, a slightly more amusing Westlake character, is a member of the team in this one. Highly recommended.
Tuesday, May 26, 2020
The Score (aka Killtown) (1964) by Donald Westlake
The Score (aka Killtown) (1964) by Donald Westlake writing as Richard Stark: A typically terse, concise, matter-of-fact entry in Donald Westlake's series of novels featuring super-thief/burglar Parker. Westlake wrote them as 'Richard Stark' in order to avoid flooding the early 1960's market for Donald Westlake. Lee Marvin, Jason Statham, and Mel Gibson have played the amoral, hyper-efficient Parker in movies, to varying effect (Marvin was clearly the best, in the John-Boorman-directed Point Blank (1967).
The scheme this time is fascinating and clever, and, as always, complications and double-crosses come into play before the 'caper' is over. Though 'caper' is far too jolly a word for anything in a Parker novel. So call it a heist. Grofield, a slightly more amusing Westlake character, is a member of the team in this one. Highly recommended.
The scheme this time is fascinating and clever, and, as always, complications and double-crosses come into play before the 'caper' is over. Though 'caper' is far too jolly a word for anything in a Parker novel. So call it a heist. Grofield, a slightly more amusing Westlake character, is a member of the team in this one. Highly recommended.
Labels:
donald westlake,
john boorman,
killtown,
lee marvin,
parker,
point blank,
Richard stark,
the score
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