A WWII movie so episodic that it seems as if it had been edited down from a 6-hour miniseries. The real-life concept is fascinating -- the Allies create a team to save art and literary treasures from the Nazis as World War Two draws to an end. The cast's main strength is its affability in a movie that lacks any real comedic or dramatic highs, a trait the movie shares with another George Clooney directorial effort, Leathernecks. A mild diversion, but nothing more. Lightly recommended.
Sunday, June 9, 2019
The Monuments Men (2014)
The Monuments Men (2014): adapted by George Clooney and Grant Heslov from the book by Robert M. Edsel and Bret Witter; directed by George Clooney; starring George Clooney (Stokes), Matt Damon (Granger), Bill Murray (Campbell), Cate Blanchett (Claire), John Goodman (Garfield), Jean Dujardin (Jean-Claude), Hugh Bonneville (Donald), Bob Balaban (Savitz), and Dimitri Leonidas (Sam Epstein):
A WWII movie so episodic that it seems as if it had been edited down from a 6-hour miniseries. The real-life concept is fascinating -- the Allies create a team to save art and literary treasures from the Nazis as World War Two draws to an end. The cast's main strength is its affability in a movie that lacks any real comedic or dramatic highs, a trait the movie shares with another George Clooney directorial effort, Leathernecks. A mild diversion, but nothing more. Lightly recommended.
A WWII movie so episodic that it seems as if it had been edited down from a 6-hour miniseries. The real-life concept is fascinating -- the Allies create a team to save art and literary treasures from the Nazis as World War Two draws to an end. The cast's main strength is its affability in a movie that lacks any real comedic or dramatic highs, a trait the movie shares with another George Clooney directorial effort, Leathernecks. A mild diversion, but nothing more. Lightly recommended.
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