Of Worms and Demons

 

Mysteries of the Worm: The Cthulhu Mythos Stories of Robert Bloch: edited by Lin Carter: (1935-1958; collected 1982): The first mass-market collection of all of legendary Robert 'Psycho' Bloch's Cthulhu Mythos stories from the early 1930's to the late 1950's. 

Like most writers writing in the Lovecraft vein, Bloch starts as a pastiche artist. Of course, Bloch knew and corresponded with HPL and engaged in a friendly game of killing each other's proxies off in stories (Bloch killing an HPL stand-in in "The Shambler from the Stars" and HPL reciprocating by killing 'Robert Black' in "The Haunter of the Dark.") 

Real-world poignance slips in as Bloch stops writing Lovecraftian fiction for a decade after HPL's death. When Bloch returns, he's much more assured and no longer writing pastiches in the last four stories in the collection. The best from this later quartet is "Notebook Found in a Deserted House" (1951), which is sort of like Huckleberry Finn vs. Cthulhu, if you can dig it. The collection takes its title from Bloch's most famous addition to the fictional books of the Cthulhu Universe, De Vermis Mysteriis. Highly recommended.

The Hollow Ones [The Blackwood Tapes Volume 1) (2020) by Guillermo del Toro and Chuck Hogan: As with del Toro and Hogan's previous collaboration, The Strain trilogy, The Hollow Ones seems to have an eye to becoming a TV series if it isn't in pre-production already. It's an enjoyable, fast read in the Supernatural Detective genre, pitting a young FBI agent and a mysterious British gentleman against supernatural shenanigans in and around the New York area. Recommended.

George Romero's Land of the Dead (2005)

George Romero's Land of the Dead (2005): written and directed by George Romero; starring Simon Baker (Riley Denbo), John Leguizamo (Cholo DeMora), Dennis Hopper (Kaufman), Asia Argento (Slack), Robert Joy (Charlie), Eugene Clark (Big Daddy) and Joanne Boland (Pretty Boy): 

George Romero's fourth Dead movie gave him a mostly name cast and a decent budget; Romero's own quirky muse caused him to use these things on what wasn't a horror movie at all, or at least not the horror movie the studio thought it would be getting. But George Romero's movies were always about more than just flesh-eating thrills.

Land of the Dead is part-satire, part-social commentary. The zombies aren't really the villains any more: indeed, they don't seem to have any interest in hunting humans until the humans piss them off. And piss them off, they do. 

I don't know that the movie benefited from having known actors in some of the roles, though I am sure that this was necessary to secure funding. Dennis Hopper just seems miscast as a scheming businessman, but Leguizamo, Baker, and Asia Argento are all fine. But the real hero is the massive zombie gas-station owner dubbed Big Daddy. He's the Robinson Crusoe of zombies.

Essential viewing, in part because it now looks like an allegory for America Now. Hint: most of us are the increasingly intelligent zombies, while Donald Trump is played by Dennis Hopper. Fittingly for today's horrorshow world, the leader of the sympathetic zombies is a working-class African-American. Highly recommended. 

From Beyond the Grave (1973)

From Beyond the Grave (1973): Based on stories by R. Chetwynd Hayes; screen play by Robin Clarke and Raymond Christodoulou; directed by Kevin Connor; starring Ian Bannen, Peter Cushing, Diana Dors, Margaret Leighton, Donald Pleasence, David Warner, Lesley-Anne Down, and Angela Pleasence: Highly enjoyable anthology movie adapting four stories by English horror writer R. Chetwynd-Hayes, with Peter Cushing as the frame story's owner of a sinister antiques store (called Temptations, nudge nudge). 

There are some nice moments of horror here, along with some bleak humour very appropriate for any adaptation of the often tongue-in-cheek Chetwynd-Hayes. The climax of the segment starring Donald Pleasence and daughter Angela especially reaches a tone of extremely dark whimsy. In any case, the haunted or possibly cursed items in the stories are a mirror, a Distinguished Service Cross, a snuff box, and an ornately carved wooden door. So avoid such items at all costs.

This isn't a Hammer production but rather an Amicus one, for those who know about such distinctions. Cushing seems to be having quite a bit of fun behind some moderately heavy make-up. The moral of the story seems to be that one shouldn't barter to lower prices at an antique shop, and for God's sake, don't steal anything. Recommended.  

Happy Colossus Adventure

Colossus: The Forbin Project (1970): Based on the first novel in a trilogy by D.F. Jones, this film somewhat jarringly stars Eric Braeden, now so much identified as Victor Newman on the long-running soap opera The Young and the Restless. 

Dr. Forbin has somehow convinced the U.S. government to hand over all control of its nuclear stockpile to the super-computer he designed, the eponymous Colossus. And it's surrounded by an impenetrable radiation barrier! So of course nothing can go worng...

It makes for an enjoyably sober piece of near-future science fiction. Look for a young Gordon Pinsent as the President of the United States of America! Recommended.

Happy Death Day 2 U (2019): Unnecessary but entertaining sequel to the more enjoyable Happy Death Day. It's sort of the 2010 of sequels, as it spends a lot of time explaining why the time loop happened in the first movie. Jessica Rothe is as charming and spunky as ever in the lead role. Christopher Landon directs again, this time taking over the writer's credit from Scott Lobdell. Affable might be the best way to describe this. Lightly recommended.

Bill and Ted's Excellent Adventure (1989): Amiable comedy without a huge number of laughs. Keanu Reaves and Alex Winter do a lot of heavy lifting because with the exception of George Carlin in a few scenes, this movie has the most undistinguished supporting cast in movie history. Or at least ostensibly big-budget studio movie history. But there is something admirable about a film the climax of which is an oral presentation on history that has to be delivered in an auditorium to one's entire high school. Now that's weird. Lightly recommended.

 

BlacKkKlansman (2018)

 

BlacKkKlansman (2018): Brilliant, mostly true true story about Colorado Springs police officer Ron Stallworth and his infiltration of the KKK back in the 1970's. The catch? Ron is African-American. So he infiltrates over the telephone while fellow officer Flip Zimmerman (played by Adam Driver) 'plays' the white Ron Stallworth. 

Funny and harrowing by turns, this 2018 film has somehow become MORE relevant than ever in less than two years. Spike Lee is in top form, as is the cast. Highly recommended.

The Knock

I like to say 'Hello," Dmitri... just not right now.

Knocking Etiquette seems to be something that's degrading at a fair clip.

Over the last two years or so, I've noticed that virtually anyone knocking on our door does so with a volume and fervor normally seen only in officers serving warrants and angels announcing the End of Days.

And the person knocking in this fashion (usually but not always male) always wants something from me they're not going to pay for -- permission to take hay off the North field, permission to put 100 beehives on our property, permission to shoot deer on our property, or some other goddam thing.

And these knocks always come either before 9 a.m. or after 8 p.m..

So now I just don't answer the door when some dumbass knocks in this fashion because there's nothing in it for me and in any case, learn how to knock, asshole.

Godzilla vs. Matt Helm

Godzilla vs. Mecha-Godzilla (1974): The penultimate Godzillaverse movie in the original Toho Studios run demonstrates that old adage about history beginning as tragedy, returning as comedy, and ending in farce. 

Aliens send a giant robot Godzilla to conquer the Earth. Godzilla teams up with kaiju King Caesar, some scientists, and Interpol to save the world. King Caesar is easily the worst kaiju Toho ever created, a sort of cross between a lizard, a Muppet, and a team mascot. Godzilla demonstrates another new power, generating a massive magnetic field. Well, why not? Lightly recommended.

Terror of Mecha-Godzilla (1975): Original Godzilla director Ishiro Honda returns for this final entry in the original Toho series. That makes for a decent finalé, with Godzilla even strolling off into the sunset at the end, sort of. There's a bit too much Interpol vs. the Space Aliens action in this one which may have contributed to its series-ending low box office. 

Along with a resurrected Mecha-Godzilla, the undersea-dwelling Titanosaurus also battles Godzilla under the control of the aliens and a misanthropic human scientist and his alien-resurrected cyborg daughter. This last leads to a scientist-hero telling the woman, "I don't care if you're a cyborg, I still love you." Shakespeare, eat your heart out! Lightly recommended.

The Wrecking Crew (Matt Helm 4) (1968): Sharon Tate is pretty much the only reason to watch this unfunny, boring yet fascinating mess -- fascinating mainly because Mike Myers drew a lot of inspiration for the Austin Powers movies from the Matt Helm series, including Dean Martin's cover job as a fashion photographer. When someone says movies today are bad and overly parts of serials, make them watch this. And it's purportedly better than Matt Helms 2, 3, 5, and the TV series!!! Not recommended.