George Perez drew fewer than 12 issues of the Justice League of America back in the early 1980's. That should be one reprint volume. Nope. The DC Comics Classics Library broke that up into two volumes, padding this first one with Perez JLA postcards from the mid-1980's. The quality of the reprints is fine, though. And I bought this one for about 70%-off Canadian. So I can't complain about my deal.
Gerry Conway's scripts are cosmic and very much Marvelesque in the amount of bickering among JLA members. Perez's artwork is already detailed as Hell and extremely strong in the characterization and action departments. He also assays a very nice two-page spread of Metron of the New Gods and some other nice visuals in locations that include the planet Apokolips, the JLA satellite, and Siberia.
Perez's introduction notes that he didn't think either of the inkers assigned to him were a good fit. He's right, though neither John Beatty nor Frank McLaughlin is terribly misapplied. At least DC didn't assign Vince Colletta to ink him. It's an enjoyable, too-short voyage into superhero adventure. We even get a continuity-heavy explanation of super-android Red Tornado's secret origin. Bonus. Recommended.
Jose Luis Garcia- Lopez became the marketing face of Superman for a long time beginning in the early 1980's -- if it's a paper plate or place mat or bag of French fries with Superman artwork on it released between about 1980 and 1995, the artwork is probably by Jose Luis Garcia- Lopez. He also did a nice job on the early 1980's Batman/Hulk team-up.
Jose Luis Garcia- Lopez is also one of a handful of the finest Superman artists of the 1970's and 1980's. There's a fluidity, grace, and lightness to his superhero work that's a rare treat. He didn't always get the best inkers (he was really best inked by himself), but his work still comes through. Collecting stories from his early days as a recurring Superman artist, this volume also collects the enjoyable, rare Superman vs. Wonder Woman tabloid-sized comic from the late 1970's.
There are a lot of other stand-outs here, including a three-parter in which writer Gerry Conway really tried to Marvelize Superman (for awhile, the Man of Steel even believes he's really a mutant) and a nifty two-part team-up with the Flash. Through it all, Jose Luis Garcia- Lopez draws everything with grace and precision and a balletic approach to action. Highly recommended.
If you're going to read the whole Morrison Batman run, then you're going to have to read this volume. By this time, the zany pomo Scotsman seemed to be running out of serious steam: this whole volume feels like about two issues stretched out to interminable length. It's still enjoyable enough, I guess, and Chris Burnham's art is mostly swell in its occasionally odd melding of Frank Quitely and Geof Darrow.
That the overall arc straddles Flashpoint requires one not to dwell on the absurd continuity ramifications of this: Flashpoint said that what appeared to be about 15 years of the Batman when the previous continuity ended was now five years. But Morrison kept everything -- every previous Robin, every Batman imitator in a foreign country -- for that new five years. So don't think about it. It's too absurdly crowded to imagine. And DC's new, ultra-successful Rebirth reboot scrambles all that up anyway. Lightly recommended, but don't read it until you've read the previous volumes of Morrison's Batman.
