Black gives Gosling's character a much less foul-mouthed version of Bruce Willis' daughter in The Last Boy Scout and a much less gay partner than Kiss Kiss Bang Bang's Val Kilmer in Russell Crowe. Crowe, unshaven and lumpy, looks like he's auditioning to be a young John Goodman. And he's great! The movie is violent, quippy fun, a throwback to buddy movies that were actually violent, quippy fun. Recommended.
Kiss Kiss Bang Bang (2005): written by Brett Halliday and Shane Black; directed by Shane Black; starring Robert Downey Jr. (Harry), Val Kilmer (Perry), Michelle Monaghan (Harmony), and Corbin Bernsen (Dexter): Violent, quippy, twisty fun from Shane 'Iron Man 3' Black. Val Kilmer is surprisingly light and funny as the LA Private Eye everyone calls 'Gay Perry.' Robert Downey, Jr. is also light and funny as a thief who stumbles into a case involving suicide, murder, and missing persons. And Michelle Monaghan makes for a great gal pal who may also be a femme fatale. The movie's 'chapters' all use the titles of works by Raymond Chandler, first famous chronicler of LA PI's. Like most great PI stories, it's narrated (by Downey's character). Unlike most of them, people keep correcting the narrator's grammar. Terrific cult fun. Highly recommended.
The Hateful Eight (2015): written and directed by Quentin Tarantino; starring Samuel L. Jackson (Major Warren), Kurt Russell (John Ruth), Jennifer Jason Leigh (Daisy Domergue), Walton Goggins (Chris Mannix), Tim Roth (Oswaldo Mobray), Michael Madsen (Joe Gage), Channing Tatum (Jody), and Bruce Dern (General Smithers): I'm glad I didn't see the Director's Cut 'Roadhouse' version of The Hateful Eight because this version is already too long and that one is 25 minutes longer.
On the bright side, there's a great 95-minute movie buried inside The Hateful Eight's repetitive bloat. On the dark side, The Hateful Eight's repetitive bloat. Tarantino's homage to John Carpenter's The Thing is very much in love with Tarantino's dialogue because, well, it's written and directed and at points narrated by Quentin Tarantino. If nothing else, it suggests that the on-screen love affair between Tarantino and the 'N' word that first bloomed in Reservoir Dogs has only grown more impassioned over the intervening two decades and change.
The actors are all fine. The action, when it comes, has the power to shock with both surprise and grue. The landscape is white and menacing. The characters never shut up. And a recurring bit with a door that won't close may have seemed funny on paper, but it surely does wear out its welcome quick. I'd have liked more from Bruce Dern and Michael Madsen and a whole lot less from Walton Goggins, an actor I like but not particularly in this part. Tarantino's threat to stop making movies after this one... yeah, I'm fine with that. Because no one's ever going to edit down a Tarantino movie to a length that works. It's a lot more likely that his next project would be a four-hour remake of The Car entitled N*gger Car. Not recommended.
Hidden Figures (2016): adapted by Allison Schroeder and Theodore Melfi from the non-fiction book by Margot Lee Shetterly; directed by Theodore Melfi; starring Taraji P. Henson (Katherine Johnson/Goble), Octavia Spencer (Dorothy Vaughan), Janelle Monae (Mary Jackson), Kevin Costner (Al Harrison), Kirsten Dunst (Vivian Mitchell), Jim Parsons (Paul Stafford), and Glen Powell (John Glenn): How does Taraji P. Henson not get a nomination for this? Oscar noms for Best Picture, Best Supporting Actress (Octavia Spencer) and Best Adapted Screenplay have been given to this fine docudrama. Does it play fast and loose with the facts, especially in compressing 15 years worth of events into two years? Well, yeah. So, too, so many other docudramas and biopics.
But Hidden Figures presents the Space Race as a thrilling exercise in math, engineering, and race relations. How great is that? The acting is superb, from Kevin Costner's (composite character) team leader of NASA Langley's mathematicians striving to put an American in space and in orbit to the aforementioned Henson as pioneering NASA mathematician Katherine Johnson, the African-American mathematician who helped put Americans into orbit and on the Moon. Octavia Spencer and Janelle Monae also do terrific work as an African-American computer-team leader and engineer, respectively. It's a movie about the thrill of intelligence and lofty aspirations, dominated by women. Highly recommended.