Soon, all hell is breaking out on a number of fronts as corporate and civic corruption, organized crime, and office politics threaten to derail the investigation. And the body count continues to mount both beneath the streets and above them.
The main characters here are surely drawn and sympathetic when they need to be, while the horrors caused by the killer -- dubbed The Executioner by the press -- are evocatively and brutally shown in several setpieces. The revelation of what The Executioner really is may strain one's suspension of disbelief -- it certainly did mine -- but overall Masterson manages a fairly fascinating mix of the police procedural and the supernatural thriller.
Rej is an especially well-drawn character, occasionally mourning the moral clarity of the bygone days of Communism while doggedly continuing his investigation regardless of opposition from above or danger from below. And the history of Warsaw, especially its opposition to the Nazis, really is gripping stuff. With a number of key scenes set in reeking, filth-clogged sewers, The Chosen Child generates a real sense of dread and bodily horror: it's about as cloachally horrible as a thriller can be. Recommended.